Tag Archives: Samsara

“Transitions”

 

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“Transitions”

Transitions, troughs and floodgates
Swell before the crops are in;
Appointments rough-hewn begin
From centuries’ wealth in soils. He hesitates.
Lamentations of the classic farmer’s touch
Bestowed on something that was expected
Neither to outlast the seed nor tip the balance but once elected
Audit landscapes from the past and serve the sudden rush as much
As circumstance permits a well to gush and choose another path.
He was a teacher; was, and no doubt
Will continue to apply the torch to oils of souls
Whose mission is to lance the boils of youthful wrath
And freely prime the wells of mass miscalculation of the myths,
The babbling and cursive powers of hubris and its shibboleths.

 

“Allow a Little Contemplation”

Contemplation1

“Allow a Little Contemplation”

Allow a little contemplation; mind the rising curse;
Give some room to commitments—
If a little late—distillations of a sundry ointment
Fit for open wounds. For now, we’re just a little worse
For wear and lacking poise, but in this happenstance,
What rests in all this noise? Tomorrow
When the mildew from sorrows
In the news has dried and circumstance
Permits, I’ll take the sun and leave the news,
The erudite reviews, the blues in mood and pulchritude,
Indictments of the way we rush to witness multitudes
In soundbites consume themselves in lewd
Proposals that what is alien is natural to the native;
What’s not been touched, somehow evocative and obliquely dative.

…photograph by Michelle Duerden…

“And So?”

truth

“And So?”

And so, now what?…anon, and to what end?…and then
Again, where do we go from here? The guess:
To unify, to bend the truth and—lest
We forget the poor or to the rich lend
Credence to myths as yet unborn—transcend
The present’s lacking lights’ egress that press
Such grapes as pleasure wrath, with “nevertheless,”
And “never the more’s the merrier,” here, at land’s end.
And we all know where all this leads but, “when?”
And “Where’s the bottom?” mystifies the rest
Where most will merely chant, “It’s really for the best!”
Please!…Occasions pardon me, opine as wind,
Sequester sin and, come what may, we’ll all soon see
The ends of times announced in rhymes and newborn mysteries.

“Catwalks”

RICOH

“Catwalks”

Catwalks above his life’s pavilions, sidewalks in a decent neighbourhood,
And nursing homes dot the landscape while all declare,
“You know, the Devil made me do it!”
Who denies the processes of thought, the fine idyllic conduits
From “Why not me?” to “All I am is what I should
Be,” whispered while whistling down alleys and paper routes. The avenues
Conjure images and constructs preserved en bas relief in two dimensions,
Melting icecaps in an ocean of invention and intervention at the mention
Of a third: “To whom and what for?” He wonders at the news,
Fresh-formed deadlines, spinal taps and tallies, and reams of “Things to Do”
And all before the door is closed and locked, keys deposited at the wicket.
Who’s survived to say that winter’s haze might raise the need to buy a ticket
To some gilded paradise conspicuous on the fridge, or a cruise for two
Along the coasts or toward the navel of the nation
As he remains at home inured of all such thought and aggravation?

“And Comfort Comes”

chaucer1

“And Comfort Comes”

And comfort comes too late from stations on the bank
Of all great rivers, benchmarks, watersheds
And monuments petrified as zeitgeists; glories led
By strange humility in masters whose histories are blank
With whom generations cavil and invoke
In lesser moments a meaner age,  a leaning toward
The more prosaïc goals framed to ward
Off meteoric national malaise. These, the Titans, evoke
Wonder in the people, and awe
Amongst their artisans, and in the hour such light
Cannot be masked nor can the transitory might
Of kings suppress such eagles, neither nets nor censors, nor the law.
And then comes Chaucer, then Shakespeare, Fathers of the modern text…
And what are tongues that roar so loud and thunder in the index?

william-shakespeare-007

“Limbs”

 

Conceptual image with a businessman on top of a maze.

“Limbs”

Limbs, appendages, extensions, sinew stretched
Across chasms, voids, and axles;
Creation’s foam will occupy the mind; cosmic jackals,
Vain imaginings spun from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate whole scenarios—
Nothing ever quiets the machine. The interim’s need will borrow
Legitimacy and gravitas from life’s singularity, refine
Their use within the era, penultimate lines in rhyme
Penned to presage the tentative, simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces change for its mistakes.
Creation weds the art of accident to apposition for its own sake.

”The Sum”

“The Sum”


The sum of yeasts spell the dregs of moments in the mould;

Images to come, some of use, most are not, and so a breeze:
Gentleness recalls; the times are short; the fee,
What stands stolid in the stamen does not yet unfold.
At so great a price, nothing enters, nothing leaves this place; nothing’s free and yet there is no looting,  no Granny Weatherall
To fear that in the groaning, smoothly flowing
Movement, here to there, both fruit and flower never knowing
Unity of purpose, no consummation in the delicacy
of dwelling too long on what must be—A glory for the anther’s night—
auspicates in favour of shadows of their mutual fate
While lighted paths from here to there spins restive, wearied states
In hours―minutes and seconds, really―and the weighty knowledge
that what augurs in the grace of beauty comes too late,
“. . .And I’ll be going, now!” The pistil whispers thus. “I am too late!”
The stigma augments as the fruit becomes too ripe,
and aspirations of eternity expose greater flaws
In auroras and rainbows as substances within themselves
one and all abandon fleeting glory in the name of natural laws.

—Once

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent To lead you to an overwhelming question …

Oh, do not ask, “What is it?” Let us go and make our visit.
In the room the women come and go Talking of Michelangelo..”

The Love Song of J. Alfred Prufrock
T.S. Eliot
[1888-1965]

“There’ll Be No Holding Back”

deep-colours

“There’ll Be No Holding Back”

There’ll be no holding back this gathering time of year.
We both know what’s behind these growing shadows
In hearts, the slight miscalculations at the window’s
Sash. Seedless middlings grow daily here
And with them come a hint of plenty’s fears,
A portion’s curse, the grayest riches’ fallow
Grounds withheld from sight; silt in shallow
Memories of polliwogs and fry and not a single tear
For losses deadly as frozen promises now as both egg and spore
Abundant in the chaos speak well enough of pernicious peace
And what the seasons’ greeting means. We behold
The evidence of what’s to come so blindly gripped within its cold
And unborn fingers smothering the future in random disparate chords
Of dissonance and denial calibrated not to inspire progress but to please.

“Just Leave It Here”

bath

“Just Leave It Here”

Just leave it here, or put it over there,
I’ll rip into it sometime when you’re not
Around; perhaps a little later when I’ve caught
Some rest, or just a nap, or seek the tender care
Of the refrigerator―or, maybe just a bath,
Of course! A bath―tonight, no standing shower: bubbles!
Yes! And contemplations of the past while I forget my troubles,
And the neighbours’ radio loud enough to raise the wrath
Of God from migrant angered angels, curses that I’ve never heard
Before, or maybe have, but never memorized. It’s time for Mahler’s Third,
And while I’m predisposed to being altogether unperturbed
It wouldn’t do to push the envelope too far…. Yes, feed the bird,
Walk the dog, and later on, when evening’s gone
I’ll gladly open what you brought me, while I wonder what went wrong.

…painting by Dick Detzner…

“Indentured Servants Everywhere”

indenturedServants

“Indentured Servants Everywhere”

Indentured servants everywhere: the card’s
Been pressed, the digits electronically addressed or etched
Upon the forehead; ratings flourish, revisions texted
In shifts, then, quietly to less than nothing with no regard
For authenticity in means. The gears are greased enough―
Or so they say―but this one has wizened information
On the wing; those, the stormy petrels’ trusted affirmations,
Give him pause to guess at little more than mild revision, tough
Decisions, restrictions on the overdraft, tight transactions
By the width of flower stalls set close upon the street of walls—
The Babylonian solution—aplomb applied in torrents. Danger calls
And no one’s learned enough to savour satisfaction
In the twist of something greater than the shining bait:
For every bear a natural end; bulls, vainglory soon, and ignominy late.

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