Tag Archives: Sonnets

“Transitions”

 

headache-quinn.anya_

“Transitions”

Transitions, troughs and floodgates
Swell before the crops are in;
Appointments rough-hewn begin
From centuries’ wealth in soils. He hesitates.
Lamentations of the classic farmer’s touch
Bestowed on something that was expected
Neither to outlast the seed nor tip the balance but once elected
Audit landscapes from the past and serve the sudden rush as much
As circumstance permits a well to gush and choose another path.
He was a teacher; was, and no doubt
Will continue to apply the torch to oils of souls
Whose mission is to lance the boils of youthful wrath
And freely prime the wells of mass miscalculation of the myths,
The babbling and cursive powers of hubris and its shibboleths.

 

“And So?”

truth

“And So?”

And so, now what?…anon, and to what end?…and then
Again, where do we go from here? The guess:
To unify, to bend the truth and—lest
We forget the poor or to the rich lend
Credence to myths as yet unborn—transcend
The present’s lacking lights’ egress that press
Such grapes as pleasure wrath, with “nevertheless,”
And “never the more’s the merrier,” here, at land’s end.
And we all know where all this leads but, “when?”
And “Where’s the bottom?” mystifies the rest
Where most will merely chant, “It’s really for the best!”
Please!…Occasions pardon me, opine as wind,
Sequester sin and, come what may, we’ll all soon see
The ends of times announced in rhymes and newborn mysteries.

“Their Summer’s Stroll”

DALLAS

“Their Summer’s Stroll

Their summer’s stroll from rage to rage,
And they beget a bygone slight that as a child
Was not forgot, that from a strength were mild
But grew in time from childhood though to age.
And far beyond its slotted term their lights boil freely
Within a goal not steeped in wisdom’s nests
But gnarl’d, mishap’t to suit some moment’s tests
In  fruitlessness,  and doom’d because t’were seemly
That a child should bargain with his fathers’ sight
Nor rent a sire’s station for such gifts’
Revisions as rest in infants’ yearnings for the stars
Or worse, the adolescents’ endless swollen charms.
Do not tempt the agèd with a young man’s goal,
My friend, nor mistake a stallion for his honoured foal.

“Catwalks”

RICOH

“Catwalks”

Catwalks above his life’s pavilions, sidewalks in a decent neighbourhood,
And nursing homes dot the landscape while all declare,
“You know, the Devil made me do it!”
Who denies the processes of thought, the fine idyllic conduits
From “Why not me?” to “All I am is what I should
Be,” whispered while whistling down alleys and paper routes. The avenues
Conjure images and constructs preserved en bas relief in two dimensions,
Melting icecaps in an ocean of invention and intervention at the mention
Of a third: “To whom and what for?” He wonders at the news,
Fresh-formed deadlines, spinal taps and tallies, and reams of “Things to Do”
And all before the door is closed and locked, keys deposited at the wicket.
Who’s survived to say that winter’s haze might raise the need to buy a ticket
To some gilded paradise conspicuous on the fridge, or a cruise for two
Along the coasts or toward the navel of the nation
As he remains at home inured of all such thought and aggravation?

“I Am”

“I Am”

I am my feet, my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the  groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked.  Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite  what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.

*********

3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Exodus

“And Comfort Comes”

chaucer1

“And Comfort Comes”

And comfort comes too late from stations on the bank
Of all great rivers, benchmarks, watersheds
And monuments petrified as zeitgeists; glories led
By strange humility in masters whose histories are blank
With whom generations cavil and invoke
In lesser moments a meaner age,  a leaning toward
The more prosaïc goals framed to ward
Off meteoric national malaise. These, the Titans, evoke
Wonder in the people, and awe
Amongst their artisans, and in the hour such light
Cannot be masked nor can the transitory might
Of kings suppress such eagles, neither nets nor censors, nor the law.
And then comes Chaucer, then Shakespeare, Fathers of the modern text…
And what are tongues that roar so loud and thunder in the index?

william-shakespeare-007

“I’m Not So Cavalier”

humpty-dumpty-wall-image

“I’m Not So Cavalier”


I’m not so cavalier, you see; I’ve heard, I’ve lent a hand and bowed
To acid rains and lurid wastes and elements stacked,
Deranged, spewed, sprawled and rearranged, and I’ve attacked
And married Buicks, Saabs, and Fords and I’m not so very proud;
My many homes are bought and sold with not a thought
To living in them. Mine eyes have seen the glory of a myriad of pulpits,
Certified accountants and a pride of priests whose pious culprits’
Books are cooked in scarlets, blood-gelt orders in their sanctities taught
To serve the venal equinox between the self-sequestered fetid clans
In every land who have no ticket, pass, nor ever need to walk
When they can ride, nor ride when they can darn the stocks
That fuel the jet streams’ markets, currencies, and family plans
To lengthen gas lines leading lambs to houses built more or less on sand;
Three coins tossed in every fountain is the trend
while the Fed and Humpty Dumpty transcend The Wall Street Journal briefly
just before they hit the fan.

4 T

“Limbs”

 

Conceptual image with a businessman on top of a maze.

“Limbs”

Limbs, appendages, extensions, sinew stretched
Across chasms, voids, and axles;
Creation’s foam will occupy the mind; cosmic jackals,
Vain imaginings spun from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate whole scenarios—
Nothing ever quiets the machine. The interim’s need will borrow
Legitimacy and gravitas from life’s singularity, refine
Their use within the era, penultimate lines in rhyme
Penned to presage the tentative, simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces change for its mistakes.
Creation weds the art of accident to apposition for its own sake.

“You’re Beautiful, You Know”

“You’re Beautiful, You Know”

You’re beautiful, you know. I wish we’d known
Each other close to forty years and had nothing left to choose;
Perhaps, we’d loved and lost, the ring’d been tossed, and felt its sting in hues
Of optimism and betrayal, close reunion, loose communion, blown
The whole on both sides twice or thrice by now
And somehow landed in the same lane, the same
Neighbourhood, perhaps slid down the same incline
Or close behind; the same old bus route, timed
And never off, a good fifteen straight, if lame
Or limpid minutes, from door to door. And, on some rare
Spring adagio, that night’s soft jazz nondescript demoted to the rank of others
In the cast, the added stroke,  aromas of your cooking, not a hint of `druthers,
And none of this in my head. Yes, I might be a moment late because I’d care
Enough to stop somewhere to buy a rose or possibly a dozen just for you,
And there at last at half past five, amazing grace and dinner set for two.

“He Chose What Homer Chose”

William Shakespeare
[23 April 1564 – 23 April 1616}

Today marks the Anniversary of the Birth of Shakespeare, and, according to what records we may or may not have, it also marks the Anniversary of the Passing of the Bard 400 years ago. The general facts concerning William Shakespeare support the idea that he was born and died on the same day. In honour of the occasion, of course, there is a repeat of a posting some time ago:

“He Chose What Homer Chose”

He chose what Homer chose; the place,
The measured lisp of every school boy; the time, eternity;
The hour, the glory of the present tense, the panoply
Of stars above the placeless with the taste
Of honeys made pedestrian, obscured by tongues, the paste
Left finite and sour from beyond divinity and the bower of worship–the realities
Of man, the Son of Man, the seat of constancy is faithlessness in cold identities
Obscured beyond the reach of all–
the trial of facelessness becomes their saving grace.
Who knew the eyes of John or Peter, Paul,
or the meek and more obscure Bartholomew
But that the rumours flew and vacancies were filled, their names
Now everywhere and nowhere is it written
How the Christ appeared, or how their God had smitten
What was left of their disguises, appetites and virtues notwithstanding crude
And morbid songs of their demise,

…and cannonlore for all that glory in the flames.

“The past cannot be cured.”

–Queen Elizabeth I
[7 September 1533 – 24 March 1603]