Tag Archives: Sonnets

“Spell It for Me”

“Spell It for Me”


Spell it for me then, put it to the page;
Write it deftly in the margins if it satisfies,
Constricts, confines, and somehow justifies
The ciphers. Calligraphy implies a beauty caged,
A likeness petrified in seraphs, sighs beached in shadows, letters
Equal in significance to the words they form.
The lady doesn’t hesitate; both the single bee and all her swarm
Are natural metaphors in ancient scripts, instincts left unfettered
By the need to suppress or press a thought or bind
Its witnesses further than to cut a simple precedent,
The humble suggestion of a rhyme, a harbinger of content,
Coded, possibly imploded, sealed in what the mind defines
As patterned premises that merely tempt conclusions to evolve.
Haste? No time to waste before the riddle’s solved.

“What Peace of Mind?”

“What Peace of Mind?”

What peace of mind can find a living here?
Pundits’ fantasies will not stop the tears, the midnight cries,
Incessant lies, and still the public yearns to know what we despise
From commentators and the late show comics. Do we fear
The truth and turn the other way when asked
If what comes down the pipe is truly past
Our tacit understanding? Reasons? Seasons? Are there tasks
Beyond endurance here, or is it always first and last
A matter for the courts, the press, the cold realities
That simply digest information and ingest lucid cosmic facts:
There’s them that’s got, and them that’s wracked,
The rich, the poor, the lack of morals backed. Atrocities
And blessings rank as equals, ours to fricassee, ours to fear.
There’s them that’s got, all right, and them that no one hears.

“Gandhi’s Truths”

“Gandhi’s Truths”

Gandhi’s truths are motionless beneath an image born,
A version’s accent that only seems to change; perceptions lie.
The eyes, the ears, the touch, all senses testify
Before the centre. Memories, chattels of the intellect, are torn
Between the ëgo and its mirror. He will board that train,
And see his own distinction — one-way ticket bound
Zephyrs tell him what he only thinks he knows. Hounds
And adverbs pursue him, winds he cannot name remain
constant comments as he moves through distances
That never crossed his mind. The earth is twinned,
The gears are jammed, yet breezes, golden prayer wheels, spin.
The pinnacle not the single shot of infamy―not the sun, but suns―an incident
Within a galaxy’s corruption far beyond its crucibles, hopes and cosmic excess:
Energy and matter never tire while circumstantial certainty leads destiny to rest.

“That Moment”

That moment,  these several when
The nothing further can be done, no real choice,
No option, no rest , no celebration; tasks, the last of many—voiced,
Now silent as were the über-years of work—will one day bend
The purest light, memory’s prism’s massive missive of relief and thanks
In weighty sentiments and fondest farewells, cheer
And season’s musk to see me on beyond reticence and fear
To take some few steps–arrogantly, yes, perhaps–toward paths that rank
Above all present trumps and common peculiars of this earth:
I have the fewer moments through to the very ends of means, I know,
And will it so for these hours. The unwieldy flow
Of days are proof enough that life’s lavas might well have spent their worth
Just so. Miseries of days beyond this present brief strife,
Born within the urgencies of time, are seeds of beauty
harvests from  shadows and their hints of an even better life.

“Marvellous”

Edvard Munch - Study of an Old Man's Head

“Marvellous”

“Marvellous,” so he thinks, “just why it is
Creation’s robe’s so blood stained?  Stubborn remains, they insist;
They persist, disease, and carnage, yes! Rising famine, orphans; lists
That never end, and then of course that always fatal kiss,
This blasphemy of complaint and intuition that we
May not truly live at all!” Effortlessly, nights wear on. Responding,
These and beauteous phantoms blend and in their careless logging—
Pages in this life and well into the next—we see
The Sadrat’u’l-Muntahá and merely breathe. We throw up
Our hands and beg the question although we always know
Who and what it is we seek. To ourselves and no one else flow
Freely in the Upper Room the clouds of incense for a requiem; to Him, the cup,
The cynosure placed perpetually on the table, the guests long gone,
The Holy Writ upon the wall, this tabula rasa, this once and final song.

…painting above by Evard Munch…

“Transitions”

 

headache-quinn.anya_

“Transitions”

Transitions, troughs and floodgates
Swell before the crops are in;
Appointments rough-hewn begin
From centuries’ wealth in soils. He hesitates.
Lamentations of the classic farmer’s touch
Bestowed on something that was expected
Neither to outlast the seed nor tip the balance but once elected
Audit landscapes from the past and serve the sudden rush as much
As circumstance permits a well to gush and choose another path.
He was a teacher; was, and no doubt
Will continue to apply the torch to oils of souls
Whose mission is to lance the boils of youthful wrath
And freely prime the wells of mass miscalculation of the myths,
The babbling and cursive powers of hubris and its shibboleths.

 

“And So?”

truth

“And So?”

And so, now what?…anon, and to what end?…and then
Again, where do we go from here? The guess:
To unify, to bend the truth and—lest
We forget the poor or to the rich lend
Credence to myths as yet unborn—transcend
The present’s lacking lights’ egress that press
Such grapes as pleasure wrath, with “nevertheless,”
And “never the more’s the merrier,” here, at land’s end.
And we all know where all this leads but, “when?”
And “Where’s the bottom?” mystifies the rest
Where most will merely chant, “It’s really for the best!”
Please!…Occasions pardon me, opine as wind,
Sequester sin and, come what may, we’ll all soon see
The ends of times announced in rhymes and newborn mysteries.

“Their Summer’s Stroll”

DALLAS

“Their Summer’s Stroll

Their summer’s stroll from rage to rage,
And they beget a bygone slight that as a child
Was not forgot, that from a strength were mild
But grew in time from childhood though to age.
And far beyond its slotted term their lights boil freely
Within a goal not steeped in wisdom’s nests
But gnarl’d, mishap’t to suit some moment’s tests
In  fruitlessness,  and doom’d because t’were seemly
That a child should bargain with his fathers’ sight
Nor rent a sire’s station for such gifts’
Revisions as rest in infants’ yearnings for the stars
Or worse, the adolescents’ endless swollen charms.
Do not tempt the agèd with a young man’s goal,
My friend, nor mistake a stallion for his honoured foal.

“Catwalks”

RICOH

“Catwalks”

Catwalks above his life’s pavilions, sidewalks in a decent neighbourhood,
And nursing homes dot the landscape while all declare,
“You know, the Devil made me do it!”
Who denies the processes of thought, the fine idyllic conduits
From “Why not me?” to “All I am is what I should
Be,” whispered while whistling down alleys and paper routes. The avenues
Conjure images and constructs preserved en bas relief in two dimensions,
Melting icecaps in an ocean of invention and intervention at the mention
Of a third: “To whom and what for?” He wonders at the news,
Fresh-formed deadlines, spinal taps and tallies, and reams of “Things to Do”
And all before the door is closed and locked, keys deposited at the wicket.
Who’s survived to say that winter’s haze might raise the need to buy a ticket
To some gilded paradise conspicuous on the fridge, or a cruise for two
Along the coasts or toward the navel of the nation
As he remains at home inured of all such thought and aggravation?

“I Am”

“I Am”

I am my feet, my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the  groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked.  Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite  what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.

*********

3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Exodus