“Marvellous,” so he thinks, “just why it is
Creation’s robe’s so blood stained? Stubborn remains, they insist;
They persist, disease, and carnage, yes! Rising famine, orphans; lists
That never end, and then of course that always fatal kiss,
This blasphemy of complaint and intuition that we
May not truly live at all!” Effortlessly, nights wear on. Responding,
These and beauteous phantoms blend and in their careless logging—
Pages in this life and well into the next—we see
The Sadrat’u’l-Muntahá and merely breathe. We throw up
Our hands and beg the question although we always know
Who and what it is we seek. To ourselves and no one else flow
Freely in the Upper Room the clouds of incense for a requiem; to Him, the cup,
The cynosure placed perpetually on the table, the guests long gone,
The Holy Writ upon the wall, this tabula rasa, this once and final song.
…painting above by Evard Munch…
Transitions, troughs and floodgates
Swell before the crops are in;
Appointments rough-hewn begin
From centuries’ wealth in soils. He hesitates.
Lamentations of the classic farmer’s touch
Bestowed on something that was expected
Neither to outlast the seed nor tip the balance but once elected
Audit landscapes from the past and serve the sudden rush as much
As circumstance permits a well to gush and choose another path.
He was a teacher; was, and no doubt
Will continue to apply the torch to oils of souls
Whose mission is to lance the boils of youthful wrath
And freely prime the wells of mass miscalculation of the myths,
The babbling and cursive powers of hubris and its shibboleths.
Posted in Age, Aging, Centuries, Crops, Farmer's touch, Floodgates, Hubris, Imagery, Lamentations, landscapes, Lyric Poetry, Miscalculation, Myth, Oils, Past, Poetry, Samsara, Seed, Shibboleths, Soils, Sonnet, Teacher, Terrorism, Transitions, Troughs, Wealth, Well, Wrath
Tagged Age, Aging, End Times, Existence, Lyric Poetry, poetry, Samsara, Sonnet, Sonnets, Strife, Youthful wrath
And so, now what?…anon, and to what end?…and then
Again, where do we go from here? The guess:
To unify, to bend the truth and—lest
We forget the poor or to the rich lend
Credence to myths as yet unborn—transcend
The present’s lacking lights’ egress that press
Such grapes as pleasure wrath, with “nevertheless,”
And “never the more’s the merrier,” here, at land’s end.
And we all know where all this leads but, “when?”
And “Where’s the bottom?” mystifies the rest
Where most will merely chant, “It’s really for the best!”
Please!…Occasions pardon me, opine as wind,
Sequester sin and, come what may, we’ll all soon see
The ends of times announced in rhymes and newborn mysteries.
“Their Summer’s Stroll“
Their summer’s stroll from rage to rage,
And they beget a bygone slight that as a child
Was not forgot, that from a strength were mild
But grew in time from childhood though to age.
And far beyond its slotted term their lights boil freely
Within a goal not steeped in wisdom’s nests
But gnarl’d, mishap’t to suit some moment’s tests
In fruitlessness, and doom’d because t’were seemly
That a child should bargain with his fathers’ sight
Nor rent a sire’s station for such gifts’
Revisions as rest in infants’ yearnings for the stars
Or worse, the adolescents’ endless swollen charms.
Do not tempt the agèd with a young man’s goal,
My friend, nor mistake a stallion for his honoured foal.
Catwalks above his life’s pavilions, sidewalks in a decent neighbourhood,
And nursing homes dot the landscape while all declare,
“You know, the Devil made me do it!”
Who denies the processes of thought, the fine idyllic conduits
From “Why not me?” to “All I am is what I should
Be,” whispered while whistling down alleys and paper routes. The avenues
Conjure images and constructs preserved en bas relief in two dimensions,
Melting icecaps in an ocean of invention and intervention at the mention
Of a third: “To whom and what for?” He wonders at the news,
Fresh-formed deadlines, spinal taps and tallies, and reams of “Things to Do”
And all before the door is closed and locked, keys deposited at the wicket.
Who’s survived to say that winter’s haze might raise the need to buy a ticket
To some gilded paradise conspicuous on the fridge, or a cruise for two
Along the coasts or toward the navel of the nation
As he remains at home inured of all such thought and aggravation?
I am my feet, my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked. Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.
3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Posted in Aging, Arrogance, Born again, Father, Feet, Imagery, Imagism, Lyric Poetry, Mother, Navel, Poem, Poetry, Samsara, Shins, Sonnet, Sonnets
Tagged Age, Aging, Double Sonnet, Existence, Immortality, Lyric Poetry, Mortality, Sonnet, Sonnets, Tragic Flaw
“I’m Not So Cavalier”
I’m not so cavalier, you see; I’ve heard, I’ve lent a hand and bowed
To acid rains and lurid wastes and elements stacked,
Deranged, spewed, sprawled and rearranged, and I’ve attacked
And married Buicks, Saabs, and Fords and I’m not so very proud;
My many homes are bought and sold with not a thought
To living in them. Mine eyes have seen the glory of a myriad of pulpits,
Certified accountants and a pride of priests whose pious culprits’
Books are cooked in scarlets, blood-gelt orders in their sanctities taught
To serve the venal equinox between the self-sequestered fetid clans
In every land who have no ticket, pass, nor ever need to walk
When they can ride, nor ride when they can darn the stocks
That fuel the jet streams’ markets, currencies, and family plans
To lengthen gas lines leading lambs to houses built more or less on sand;
Three coins tossed in every fountain is the trend
while the Fed and Humpty Dumpty transcend The Wall Street Journal briefly
just before they hit the fan.
Posted in Humpty Dumpty, Imagery, Imagism, Lyric Poetry, Materialism, Poem, Poetry, Sonnet, Sonnets
Tagged anti-Green, Ecology, Economics, Economy, End Times, Green, Humpty Dumpty, Lyric Poetry, Market, News Media, Sonnet, Sonnets, Strife
Limbs, appendages, extensions, sinew stretched
Across chasms, voids, and axles;
Creation’s foam will occupy the mind; cosmic jackals,
Vain imaginings spun from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate whole scenarios—
Nothing ever quiets the machine. The interim’s need will borrow
Legitimacy and gravitas from life’s singularity, refine
Their use within the era, penultimate lines in rhyme
Penned to presage the tentative, simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces change for its mistakes.
Creation weds the art of accident to apposition for its own sake.
Posted in Astronomy, Change, Existence, Experience, God, Image, Imagery, Imagism, Lyric Poetry, Poem, Poetry, Providence, Relativity, Religion, Sacrifice, Samsara, Selflessness, Sonnet, Sonnets, Spirituality, Stations, Universe
Tagged Change, Evolution, Existence, Imagism, Immortality, Lyric Poetry, Mortality, Poem, poetry, Samsara, Selflessness, Sonnet, Sonnets
“You’re Beautiful, You Know”
You’re beautiful, you know. I wish we’d known
Each other close to forty years and had nothing left to choose;
Perhaps, we’d loved and lost, the ring’d been tossed, and felt its sting in hues
Of optimism and betrayal, close reunion, loose communion, blown
The whole on both sides twice or thrice by now
And somehow landed in the same lane, the same
Neighbourhood, perhaps slid down the same incline
Or close behind; the same old bus route, timed
And never off, a good fifteen straight, if lame
Or limpid minutes, from door to door. And, on some rare
Spring adagio, that night’s soft jazz nondescript demoted to the rank of others
In the cast, the added stroke, aromas of your cooking, not a hint of `druthers,
And none of this in my head. Yes, I might be a moment late because I’d care
Enough to stop somewhere to buy a rose or possibly a dozen just for you,
And there at last at half past five, amazing grace and dinner set for two.