Category Archives: Relativity

“This You Chose”

“This You Chose”

This you chose, you know, the lethal wound, external fire,
Internal final cut the cleanest; the choice was never mine.
This you chose; your arms, your scent defined
The borders, walls, the floors, the exposure. Your desires
Say nothing past the yesterdays of pre-dawn, and glad
I was to rest the while, and glad you are that I am gone.
But nothing’s rendered in the late night’s song,
The me in you, and yes! You know the sad
Result: that moon’s pain can not know a sequel.
The senses, these you know , with no contempt,
But radiant resignation in the hours of heat and pure idolatry. Spent,
The sentence stands within this world. These final sentiments rule;
The veil, the truths we’ve always known; the hourglass, the idols of our nights,
Its sands, a closing hush of breath at daybreak when all our meteors take flight.

“Limbs”

“Limbs”

Limbs, appendages, extensions, sinew stretched
Across the chasms, voids, and axles
Of Creation, forms to occupy the mind; cosmic jackals,
Vain imaginings sprung from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate scenarios.
Nothing ever quiets the machine, the interim’s need will borrow
Legitimacy and gravitas from life’s single habit, refine
Its use for lifetimes, the penultimate line in verses
Penned to presage the tentative, the simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces in exchange for its mistakes.
Only the Creator weds the art of accident to apposition for its own sake.

…a revision of the poem…”Swept Aside”

…a revision of the poem…

“Swept Aside”

Swept aside, all moments and celestial mementos collide
And waste no never-mind on credence and retention
In the wake of greater cosmic rinds and supine celestial reflection.
Mortality by definition lies; not so through what histories imply
But in the daily interaction of missives from the Goal
And penultimate ilunga * of the Source or
Sanctions of interaction in the triumphant triad of the coarsest
Ores of time, of space, and all that matters. Time, the cosmic linen folds
Of space and active order; space, the theatre of experience at the heart
Of the observer; matter, but an audience, a phenomena in passive
Active shadows of Creation and its nemesis. Simplicity is massive,
Complexity but a word; a question’s languages are art
And science while the answers form the pathos and the abstract.
What is more pathetic than to be and yet be nothing in the act?
Simplicity in the classic form requires
The prefects of a perfect vacuum
Combined in such a way as compliments the acumen
Of a strident meme, the jealous zeitgeist, tests that to the whole inspire
An urgent need to pause, to linger over bodies no longer really there,
A little more than a half a generation’s substance in a given time.
So granted this, so beautifully and tragically resigned,
Aloud comes the elegies of episodes to “Move along!”or “Retire!”
With such a cry inscribed, there was and always is
A here and there in rapid profit worshipped, fierce
As gallstones of desperation: “This, our chosen age, rehearsed
Upon a cross of memories little more than lyrics of an ancient tryst!”
And, equally, the many crowned and catalogued, remain aloof
Through symmetries of perfection in a sacred dynasty of embroidered truth.

*The word is ilunga, from the Bantu language of Tshiluba, and means a person ready to forgive any abuse for the first time, to tolerate it a second time, but never a third time.

When there is this, that is.
With the arising of this, that arises.
When this is not, neither is that.
With the cessation of this, that ceases.

His Holiness The Buddha

“The ‘Once’, the ‘Ever’”

“The ‘Once’, the ‘Ever’”

…dedicated to Hermann Bloch
1 November 1886– 30 May 1951
“”I shall not die of a cold. I shall die of having lived.”

The once, the ever, standing in the atrium must burn;
The nexus of the meeting of the feeble lamps are lit as Virgil sits alone,
The flint stone at the confluence of the rivers; a tone
Once heard, a trace no more than words. Ever then discerns
A wisdom in the lengthening of days on end;
A reconciliation of the first sun’s now within
The pale of the last night’s then and all its many-eyed kin;
The End, scintilla of a notion’s distant toast:
“To Cæsar!” Distractions in the movement defer to mortality, defend
The pattern as it is, the peoples’ choice, a proud
Morbidity based in universal song on this, a night of leaving, joy
On this, a day of meeting. Stars and verses, voids,
A universe of empty consummation never executed while clouds
Obscure the moon, as ever toils below;
Perspicuous, yes! the once and only suns express,
So dark a night as never and one more day of less.
.

“Did Ever Peace in Motion”

“Did Ever Peace in Motion”

Did ever peace in motion come to mind while living still,
Or what’s an ego for? We do not cease; we know we die
But, what hopes are hung there in the clocks, the early cries
Of “Quickly!”or “Grant me time that I may kill,”
And whether there is joy in sunrise just beyond that hill
Or just beyond the present place within the wall we occupy,
The only guarantee we have that testifies
To purpose is that we have lived to see that what fulfils
A destiny is not mere approbation, positive as this may be,
But willing prophesy and added acquiescence to the turning
Of the page, the further reading, the greater goal
To ascertain than to achieve, then on beyond the poles
Whither to the north or south, to encompass greater than the seas,
Further than consumption; such limitless forests as are beyond all learning.

“From Chaos”

“From Chaos”

From chaos comes ordre; it’s a promise
Not a threat, and see to it that you heed
A willing radiance, an acquiescence, the need
For civility in the journey from initial surprise
To final recognition, from knowledge in the eyes
And from the illumined page while both are lost in wanderlust and steal
Away to what for all the world seems
Neither here nor there. Umbrage seeds both choice and compromise
As winter’s cold surrounds the heart’s dissatisfaction,
colder still than death
Itself and not at all to anyone’s liking. Where do joys of spring
Lead but to sorrows in the coming fall and from that fall, the season’s
Proceeds, naked trunks and brittle branches, reason
Feeding hollow hopes and simple traffic in dreams? What’s left,
My friend, but bones of separation
in the present and reunion in eternity?
There’s the simple intelligence of the thing, the weight
Of common sense told in an instant blessed and in good time. Hearts
And minds, judgments weighted solely on the flattery of the arts
And sciences and beyond mere annual Disney harvests
de temps en temps of maudlin myth in escrow. A state
Of mind, a cosmic frieze born of worlds allied
Within the sanctity of sanity seeks the safer corner
Of anonymity and the warmth of former
Aphorisms mouthed, perhaps, but never really qualified
Till now. They will say, “Come hither, pull the trigger,
Garner nothing less than what is guessed
And leave the rest!” and, yes, they see it at its best
Because its freshly minted, postage paid
For anyone who’s never been there or knows no history;
To the wise, simplicity; to the ignorant, one more misery.

“So Simple”

“So Simple”

So simple seen at dawn so long delayed, Venus and the moon! Brighter
Than I’ve ever seen them, veiled perhaps to purpose
through the willful blindness of my years,
What was it that I remembered to forget? Either eye–when both were clear
And unobstructed–saw visions in the nightly flight to lighter
Skies, at sunset drawn the more to intimate sensations in the rites or
Worshiping he more immediate, stated immaculately, requiring little fear,
An unobstructed view of objects seen as “closer than they appear
Within the mirror?”…or were they ever there at all? I know no delight now nor
Fascination in the company of others of the present age,
The illuminati of so many conversations in the next booth just the other day,
Before the show and afterward, hushed and heavy harsh realities
Of lamps without their shades, the universal fade to cold formalities
Of “I don’t know, though!” or “Whatever…” from the blossom’s buds whose age
Belies their gravitas and whose will
does not beget transaction before they’re paid
And praised. Then again, does either ancient luminary care
so long as they’ve been there
Abiding cycles, overriding climes in rhymes of violence and certain gain
With equal expectation of loss as dross in equal certainty within successive reigns
Of terror in the skies just beyond the puny girth of earth’s thin atmosphere?
How much it was the same when Caesar’s designated revisions of the year
Bore both his names and title in the gilded monthly lists in vain
Presumption that the sun, itself, may be detained or entertained
When will and means conspire to light their fires in cold banality,
idols worshipped through applause and semi-automatic Coliseum cheers;
Both wolves salivate in time. Reflect on just how long this weary place
Has been the seat and capitol of colossal vain imaginings, the necromancy
Of the rich, the bloated tales and tools of millennia of astrology in the armoury;
How often have bucolic Virgils and Octavians stumbled onto history’s
Urban stage, the first to taste the fruits of history’s tired storylines, effacing
Iconoclasts by default, gluttony of hubris at last embraced in fresh portfolios
forged from fatigue and blatant moral bankruptcy.

“Occam’s Rasor”

“Occam’s Rasor”

Occam’s rasor, perhaps, but what else is there
Between the stepping stones, the zeniths, the nadirs,
Putting aside the in-betweens, the shafts of spears,
The road less taken, that one trampled, the toxic air,
The steps that lead in either direction, the fare
Compared to destination, dreams that disappear.
Sooner or later, choice replaces every truth, the fears
That come when hybris meets hamartia? Tares
And thistles abound, the rent, the ashes, the cardinal numbers
Spread themselves among the ordinals and seem to sin no more.
Even so? What of these, the inevitable, the inescapable nemesis?
Step forward and discover the reason for the second step; the emphasis Is on the first? The second? A third? Awake, the final unction’s found in slumber; Asleep, the hours promise the penultimate hour, remembrances of the final door.