Tag Archives: Sonnet

“And So On”

entrepreneur

“And So On”

 “And so on and so forth…,” quoth the sage—an age
Demands allegiances, some sundry chit
To pasts to please their living ends, so be’t
To bind their futures’ to history’s wages
A feral wood that has its day,
And then some; burnt along the boreal wedge,
As fantasies aligned with revolution’s edge,
A void of fortune’s ceding thoughts of yesterday,
Inverse to the obverse of “now” with “yet again!”
“So, let that pass,”he says, and thus another reign
Of clowns and food for fools who cast their blame
Of righteous bastards who’ve lost their way,
Repeat the sentence, please, that all ears may hear
Should auld acquaintance be forgot to wipe away their fear.

“I Am”

“I Am”

I am my feet, my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the  groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked.  Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite  what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.

*********

3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Exodus

“And Comfort Comes”

chaucer1

“And Comfort Comes”

And comfort comes too late from stations on the bank
Of all great rivers, benchmarks, watersheds
And monuments petrified as zeitgeists; glories led
By strange humility in masters whose histories are blank
With whom generations cavil and invoke
In lesser moments a meaner age,  a leaning toward
The more prosaïc goals framed to ward
Off meteoric national malaise. These, the Titans, evoke
Wonder in the people, and awe
Amongst their artisans, and in the hour such light
Cannot be masked nor can the transitory might
Of kings suppress such eagles, neither nets nor censors, nor the law.
And then comes Chaucer, then Shakespeare, Fathers of the modern text…
And what are tongues that roar so loud and thunder in the index?

william-shakespeare-007

“Stars Repeat”

stars

“Stars Repeat”

Stars repeat their warnings; petrels sing
Like mockingbirds, aloof, alone, no voice
Heard; their own made moot by common choice;
Answers, yes! Of course! The bells still ring
As starlings make their homes in open barns
Before the bovine’s great equestrian friends.
Evening’s luminous azure loom descends,
And sad Arachne’s weaving skill alarms
Neither moth nor moon nor sun’s arrival signs
Perceive nor are they litmus to the lines
Expressed; the melodies, these foolish mimes
Who only seem to satisfy the thighs
(And never mind the costs), the breasts, the supple,
Kinder lights that flood the mind of he who bites the apple.

“I’m Not So Cavalier”

humpty-dumpty-wall-image

“I’m Not So Cavalier”


I’m not so cavalier, you see; I’ve heard, I’ve lent a hand and bowed
To acid rains and lurid wastes and elements stacked,
Deranged, spewed, sprawled and rearranged, and I’ve attacked
And married Buicks, Saabs, and Fords and I’m not so very proud;
My many homes are bought and sold with not a thought
To living in them. Mine eyes have seen the glory of a myriad of pulpits,
Certified accountants and a pride of priests whose pious culprits’
Books are cooked in scarlets, blood-gelt orders in their sanctities taught
To serve the venal equinox between the self-sequestered fetid clans
In every land who have no ticket, pass, nor ever need to walk
When they can ride, nor ride when they can darn the stocks
That fuel the jet streams’ markets, currencies, and family plans
To lengthen gas lines leading lambs to houses built more or less on sand;
Three coins tossed in every fountain is the trend
while the Fed and Humpty Dumpty transcend The Wall Street Journal briefly
just before they hit the fan.

4 T

“Limbs”

 

Conceptual image with a businessman on top of a maze.

“Limbs”

Limbs, appendages, extensions, sinew stretched
Across chasms, voids, and axles;
Creation’s foam will occupy the mind; cosmic jackals,
Vain imaginings spun from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate whole scenarios—
Nothing ever quiets the machine. The interim’s need will borrow
Legitimacy and gravitas from life’s singularity, refine
Their use within the era, penultimate lines in rhyme
Penned to presage the tentative, simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces change for its mistakes.
Creation weds the art of accident to apposition for its own sake.

“Spotless No Doubt”

trumpimage

“Spotless No Doubt”

Spotless no doubt, thrice polished
Marauding tensions—emotions’ nomads—yet nothing moves―
There’s no breeze, no grievous moon, no licit solar meeting in the groves
Of smothered cradle songs, no childrens’ adagio. Uselessness polished,
Memory is detained in the waiting room in peculiar movement
While destiny and fate consult on who’s left wanting in the atrium. These
Foolish thoughts of weightlessness and spiritual sclerosis augur well to please
Wallpapers and clocks left crucified upon the wall. Mindless queues atone
For any lack of purpose with no hint of propinquity. Then quite naturally
The caterers and guests soon arrive and someone has to answer the door.
As the long day’s counsels end, ignition’s off, feet flat on the floor.
No need to move the mountain; the benchmark: The will has atrophied,
We’re there. Then, of course, we return or break the deadlock
So let’s get on with what the fox intends and who will watch the flock.

“You’re Beautiful, You Know”

“You’re Beautiful, You Know”

You’re beautiful, you know. I wish we’d known
Each other close to forty years and had nothing left to choose;
Perhaps, we’d loved and lost, the ring’d been tossed, and felt its sting in hues
Of optimism and betrayal, close reunion, loose communion, blown
The whole on both sides twice or thrice by now
And somehow landed in the same lane, the same
Neighbourhood, perhaps slid down the same incline
Or close behind; the same old bus route, timed
And never off, a good fifteen straight, if lame
Or limpid minutes, from door to door. And, on some rare
Spring adagio, that night’s soft jazz nondescript demoted to the rank of others
In the cast, the added stroke,  aromas of your cooking, not a hint of `druthers,
And none of this in my head. Yes, I might be a moment late because I’d care
Enough to stop somewhere to buy a rose or possibly a dozen just for you,
And there at last at half past five, amazing grace and dinner set for two.

”The Sum”

“The Sum”


The sum of yeasts spell the dregs of moments in the mould;

Images to come, some of use, most are not, and so a breeze:
Gentleness recalls; the times are short; the fee,
What stands stolid in the stamen does not yet unfold.
At so great a price, nothing enters, nothing leaves this place; nothing’s free and yet there is no looting,  no Granny Weatherall
To fear that in the groaning, smoothly flowing
Movement, here to there, both fruit and flower never knowing
Unity of purpose, no consummation in the delicacy
of dwelling too long on what must be—A glory for the anther’s night—
auspicates in favour of shadows of their mutual fate
While lighted paths from here to there spins restive, wearied states
In hours―minutes and seconds, really―and the weighty knowledge
that what augurs in the grace of beauty comes too late,
“. . .And I’ll be going, now!” The pistil whispers thus. “I am too late!”
The stigma augments as the fruit becomes too ripe,
and aspirations of eternity expose greater flaws
In auroras and rainbows as substances within themselves
one and all abandon fleeting glory in the name of natural laws.

—Once

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent To lead you to an overwhelming question …

Oh, do not ask, “What is it?” Let us go and make our visit.
In the room the women come and go Talking of Michelangelo..”

The Love Song of J. Alfred Prufrock
T.S. Eliot
[1888-1965]

“It Matters Nothing”

2

“It Matters Nothing”

It matters nothing in the lightly screaming
Thoughts of what I might have done
Had this not gone so far; the early’s clusters, the latter’s stars, the sun’s
Eternal meridian, no matter what the clouds, the veils, the feelings,
With midnight’s nightly thinking on the path through Saturn’s rings
Remains the same, and in the end, illusion never dies.
So constant, time in winnowed wanderlust—the skies
The seas, the cosmic meadow’s breeze where only quasars sing
Simple measure pleasures of a thought made longer than a dream
That I may walk beside the old canal that leads to even older docks.
Yes, of course.  I might have visited more often.  But clocks
Are stormy petrels, eternal days that leave a stain on what’s deemed
Meet and seemly for the nonce; so while I frequent these familiar lanes I think
On what I might have said and how I might have stayed awhile,
and wines I’ll never drink.

…photograph above by ECU…