I am my feet, my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked. Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.
3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Posted in Aging, Arrogance, Born again, Father, Feet, Imagery, Imagism, Lyric Poetry, Mother, Navel, Poem, Poetry, Samsara, Shins, Sonnet, Sonnets
Tagged Age, Aging, Double Sonnet, Existence, Immortality, Lyric Poetry, Mortality, Sonnet, Sonnets, Tragic Flaw
Stars repeat their warnings; petrels sing
Like mockingbirds, aloof, alone, no voice
Heard; their own made moot by common choice;
Answers, yes! Of course! The bells still ring
As starlings make their homes in open barns
Before the bovine’s great equestrian friends.
Evening’s luminous azure loom descends,
And sad Arachne’s weaving skill alarms
Neither moth nor moon nor sun’s arrival signs
Perceive nor are they litmus to the lines
Expressed; the melodies, these foolish mimes
Who only seem to satisfy the thighs
(And never mind the costs), the breasts, the supple,
Kinder lights that flood the mind of he who bites the apple.
“I’m Not So Cavalier”
I’m not so cavalier, you see; I’ve heard, I’ve lent a hand and bowed
To acid rains and lurid wastes and elements stacked,
Deranged, spewed, sprawled and rearranged, and I’ve attacked
And married Buicks, Saabs, and Fords and I’m not so very proud;
My many homes are bought and sold with not a thought
To living in them. Mine eyes have seen the glory of a myriad of pulpits,
Certified accountants and a pride of priests whose pious culprits’
Books are cooked in scarlets, blood-gelt orders in their sanctities taught
To serve the venal equinox between the self-sequestered fetid clans
In every land who have no ticket, pass, nor ever need to walk
When they can ride, nor ride when they can darn the stocks
That fuel the jet streams’ markets, currencies, and family plans
To lengthen gas lines leading lambs to houses built more or less on sand;
Three coins tossed in every fountain is the trend
while the Fed and Humpty Dumpty transcend The Wall Street Journal briefly
just before they hit the fan.
Posted in Humpty Dumpty, Imagery, Imagism, Lyric Poetry, Materialism, Poem, Poetry, Sonnet, Sonnets
Tagged anti-Green, Ecology, Economics, Economy, End Times, Green, Humpty Dumpty, Lyric Poetry, Market, News Media, Sonnet, Sonnets, Strife
From this most august and exalted station, and from this most sublime and glorious plane, the seeker entereth the City of Immortality, therein to abide forever. In this station he beholdeth himself established upon the throne of independence and the seat of exaltation. Then will he comprehend the meaning of that which hath been revealed of old concerning the day “whereon God shall enrich all through His abundance”. Well is it with them that have attained unto this station and drunk their fill from this snow-white chalice before this Crimson Pillar.
–Bahá’u’lláh, Gems of Divine Mysteries pp. 71–72
“These Icy Waters Penultimate”
These icy waters penultimate, comforts’ flights through fingers, soothing,
Recollections from the four extremities to the single temples, cacoëthes,
Familiars to peculiars within from ceilings above the abyss below; yes, ease
To what will soon be here to take on form and body, the coryphaeus choosing
Some new chapter, or yet another verse as will burn the notebooks, pages
Surprised with vagaries and beads that track the progress of thoughtlessness
In waning weighty midnights; even without the prodigal kiss, confinement less
Refined induces eternal possibilities of that one last question: to the sage,
Reprieve, to the master, his own breath and nothing short of venom for the fool.
Of course, I raise the hour glass to honour wasted days as though I’d paid,
My friend, while you succomb to every passing witness who at his pleasure sees
Nothing as everything; you, no recipient, no pontiff for the spirit in the pool,
No immersion when the waters are troubled —”Too cold,” you’ll say.
From time to time I’ll pass by this extreme and found another single book,
A signature of disappearance from this régime to time, recalled,
and not so bound by what we learned but how we used to look.
The test is in its gauge, a poem’s weight, nothing equitable but fair,
In and of itself an offering, a discrete particle in an innocuous conceit
Upon some higher power in the substance that in its sleep
Has left the path and all the usual signs and banners with little thought or care
To what it means to shoot the sun, its moon and know that they came
To pass as a mirror’s movements in the moment; receivers quickly feign
Reaction to the pen and page and all such shibboleths as questions beg the reign
Of order in a desperate bid for substance and recognition, inertia that sustains
Momentum in the swamp and swell of ownership by simple dint of will:
Mindless arbitration comes to mind as sparks defining truth spill
Words and destinies and budding paradigms, the seed and fruit of every hill.
Both will measure every valley undetected, unrestrained.
The eye, the plume, the generations of the word itself must all reveal
An effortless encounter of win and lose no matter what the deal.
Posted in Age, Aging, Evolution, Fruit, Imagery, Imagism, Inertia, Life's gamble, Lyric Poetry, Poem, Poetry, Revolution, Samsara, Seed, Sonnet, Sonnets
Limbs, appendages, extensions, sinew stretched
Across chasms, voids, and axles;
Creation’s foam will occupy the mind; cosmic jackals,
Vain imaginings spun from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate whole scenarios—
Nothing ever quiets the machine. The interim’s need will borrow
Legitimacy and gravitas from life’s singularity, refine
Their use within the era, penultimate lines in rhyme
Penned to presage the tentative, simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces change for its mistakes.
Creation weds the art of accident to apposition for its own sake.
Posted in Astronomy, Change, Existence, Experience, God, Image, Imagery, Imagism, Lyric Poetry, Poem, Poetry, Providence, Relativity, Religion, Sacrifice, Samsara, Selflessness, Sonnet, Sonnets, Spirituality, Stations, Universe
Tagged Change, Evolution, Existence, Imagism, Immortality, Lyric Poetry, Mortality, Poem, poetry, Samsara, Selflessness, Sonnet, Sonnets
“Spotless No Doubt”
Spotless no doubt, thrice polished
Marauding tensions—emotions’ nomads—yet nothing moves―
There’s no breeze, no grievous moon, no licit solar meeting in the groves
Of smothered cradle songs, no childrens’ adagio. Uselessness polished,
Memory is detained in the waiting room in peculiar movement
While destiny and fate consult on who’s left wanting in the atrium. These
Foolish thoughts of weightlessness and spiritual sclerosis augur well to please
Wallpapers and clocks left crucified upon the wall. Mindless queues atone
For any lack of purpose with no hint of propinquity. Then quite naturally
The caterers and guests soon arrive and someone has to answer the door.
As the long day’s counsels end, ignition’s off, feet flat on the floor.
No need to move the mountain; the benchmark: The will has atrophied,
We’re there. Then, of course, we return or break the deadlock
So let’s get on with what the fox intends and who will watch the flock.
Posted in Donald Trump, End Times, Endgame, Lyric Poetry, Poetry, Sonnet
Tagged Delusion, End Times, Existence, Illusion, Immortality, Lyric Poetry, Mortality, poetry, Sonnet, Strife, Tragic Flaw
“You’re Beautiful, You Know”
You’re beautiful, you know. I wish we’d known
Each other close to forty years and had nothing left to choose;
Perhaps, we’d loved and lost, the ring’d been tossed, and felt its sting in hues
Of optimism and betrayal, close reunion, loose communion, blown
The whole on both sides twice or thrice by now
And somehow landed in the same lane, the same
Neighbourhood, perhaps slid down the same incline
Or close behind; the same old bus route, timed
And never off, a good fifteen straight, if lame
Or limpid minutes, from door to door. And, on some rare
Spring adagio, that night’s soft jazz nondescript demoted to the rank of others
In the cast, the added stroke, aromas of your cooking, not a hint of `druthers,
And none of this in my head. Yes, I might be a moment late because I’d care
Enough to stop somewhere to buy a rose or possibly a dozen just for you,
And there at last at half past five, amazing grace and dinner set for two.
[23 April 1564 – 23 April 1616}
Today marks the Anniversary of the Birth of Shakespeare, and, according to what records we may or may not have, it also marks the Anniversary of the Passing of the Bard 400 years ago. The general facts concerning William Shakespeare support the idea that he was born and died on the same day. In honour of the occasion, of course, there is a repeat of a posting some time ago:
“He Chose What Homer Chose”
He chose what Homer chose; the place,
The measured lisp of every school boy; the time, eternity;
The hour, the glory of the present tense, the panoply
Of stars above the placeless with the taste
Of honeys made pedestrian, obscured by tongues, the paste
Left finite and sour from beyond divinity and the bower of worship–the realities
Of man, the Son of Man, the seat of constancy is faithlessness in cold identities
Obscured beyond the reach of all–
the trial of facelessness becomes their saving grace.
Who knew the eyes of John or Peter, Paul,
or the meek and more obscure Bartholomew
But that the rumours flew and vacancies were filled, their names
Now everywhere and nowhere is it written
How the Christ appeared, or how their God had smitten
What was left of their disguises, appetites and virtues notwithstanding crude
And morbid songs of their demise,
…and cannonlore for all that glory in the flames.
“The past cannot be cured.”
–Queen Elizabeth I
[7 September 1533 – 24 March 1603]
Posted in Christ, Creativity, God, Homer, John, Paul, Peter, Poetry, Poets, Selflessness, Zeitgeist
Tagged Immortality, Lyric Poetry, Sonnets