Stylish scandals serve as fodder in mists of lotteries just so
For use in apparitions and delusions of synergies,
Lubricants that cushion stress and emerging currencies
Of incremental confusion bestowed
On callow mettle once more greatly desired than gold
And spun in threads of obsequious obstinacy,
cocoons of comfort from birth to birth I took to be
Death and dying in the failing in my years of fire and snow:
In short, I will always fell. Pride postponed and sentiments excused,
Somewhere in my purchases rest a greater need
To arrest all that is before it’s brought to naught
And put away and forgotten, the pedestrian slipper and clog untried, unused
With no need to embroider, exacerbate or mark the erstwhile Golden Rule
Of simple certitude’s aplomb well beyond the need of classic paths and shoes.
“I Found The Day’s Messiah”
I found the day’s messiah breathing as if to pray;
No prayer, of course, no sign, no moon, no stars, silence—
Balm to souls and solace in a crisis
Of questions—so many hopes lay absurd, what they must say
Gives Animas to eternity and shields a simple fear, the terror
Of these days. I would not ask outright, “I have no words,” then,
Took flight so very tight in twilight when
From cancer and fallen branches—errors,
Really, to the whole—innocence conjures lasting alibis,
Sentinels that never come to rest, fruits of thought pressed
With violence enough to produce the wine—more from less,
Inebriation from what the old man once said. Patient sighs
Amongst the sparrows egg him on while sitting on a porch with me.
“Make peace with the Fathers,” says he, “from Sons of Adam flee.”
Posted in Age, Aging, Imagery, Imagism, Lyric Poetry, Poem, Poetry, Samsara, Sonnet, Sonnets
Tagged Age, Aging, End Times, Existence, Imagery, Imagism, Immortality, Lyric Poetry, Mortality, Relationships, Separation, Sonnet, Sonnets, Sons of Adam, Wisdom
I know this wishing to be as natural as breathing; none of us avoids it.
Having said this, still, while it is natural to the head,
It’s anathema to the heart as every affair noises over and over again.
Still, while we know desire, again, we hear that since it’s natural, it’s inevitable, And because it is inevitable, we must accept its rising fevers and all rude and Tumultuous downfall;
Both are natural and both are inevitable.
As there is a hairline difference between virtue and vice,
So too much the same between the crown of natural want
And its evil twin, lust.
Yes, of course I have wishes and hopes
And all that goes with both,
But again, having said this,
I know I am a fool, and there’s an end to it.
…photograph by eurie of DeviantArt…
Posted in Age, Aging, Lyric Poetry, Poem, Poetry, Samsara, Sonnet
Tagged Age, Aging, Desires, Immortality, Lyric Poetry, Mortality, Passion, Relationships, Sonnet
“Yes, Of Course”
Yes, of course, until the consummate act;
That short sweet penultimate gust of wind’s a hurricane
If given half a chance; your word of caution, one’s whispered vain
Imagining breathed from one lost soul to yet another seals a pact
That places infinite variation at naught before the fact
And utter chaos in the glossary. The perfectly inane
Remains so long as everyone understands the midnight train
No longer runs its comforts here between abandoned stations
Formerly retained withal despite the costs and weathered till the waiting
Wooden benches are no longer polished to a shine by anxious travellers’
Backsides, these who only yesterday were soberly assured by cavillers
In all sincerity, “There’s greater worth to companies than to nations;
More to gain from printing presses than revenue beyond debating.”
Posted in Cavillers, Chaos, Comforts, Consummate act, Corperations, Debate, Glossary, Gust of wind, Hurricane, Infinite variation, Lyric Poetry, Midnight train, Nations, Poetry, Printing press, Sonnet, Stations, Train, Travellers, Wind, Wooden benches, Word of caution
Tagged Delusion, End Times, Lyric Poetry, Sonnet, Sonnets
Dark witnesses record with eyes that never were
When I was young and only dreamed of what was left
In life to me out there, some single beauteous breath
Of God’s own living spirit; and as I recall we all were sure
Of it, and not at all concerned as days flew passively
Away and left us glued to what was here and now.
We saw no further than what was just beyond the bow
Of some shining barque, stillborn, sailless but massive
Still. And as I gaze today on all that came eventually, I think
I saw where I would be one day, and in these latter hours smile
On what that meant and whose small eyes were set so many miles
From where he sat amazed. My own children’s children sink
Their eager toes so deeply now into the sand and squeal in praise
Of joys I knew I’d never know in what remained of all my days.
Asking nothing, pride itself knows no shame
But that it is not easily offended
By its authors, lasting aeons never once rescinded
As they bear hard against themselves with holy arrogance. Abel’s fame
Was no more great in folly than in triumph; blame,
The greater satisfaction, feeds upon itself, suspended
High above its frozen haven’s wasted heaven, extended
Low and lower than the expectations of his brother, Cain:
“Why,” then, “art thou wroth?” is heard with “What hast thou done?”
And in that instant, seconds into centuries cast their burdens
Leaving only fools to gather and surmise how long it’s been
Since innocence so easily spent itself pursuing means to every end.
If we breathe, we cannot be more anxious than the moon and sun,
And stars whose certain execution and anastrophe scribbles embroidered patterns equal to the physics of a nano-drop, as well, the roaring war of infinitives bound in verses primed that rhyme with energy and matter in the greater cosmic run.
Posted in Abel, Arrogance, Cain, Imagery, Imagism, Lyric Poetry, Poem, Poetry, Pride, Samsara, Sonnet, Sonnets
Tagged Existence, Immortality, Lyric Poetry, Mortality, religion, Sonnet, Sonnets, spirituality, theology
Happenstance and glory of a measured breath, the sun and moon
And distant scintillating light deranged and rearranged
To suite the insignificance of magnificence of a single scene and page.
Another sentence, a paragraph in which I find myself within a backlit room
To mark the hours the Doppler shadows all misfortune casts.
I have revelled in these signs, these periodic tedious monotonies,
Their very rising at once the thrall before the fall, monopolies
Of time and times again that only now appear to mask
Because when all that is has come to pass I happen to be standing here
A witness to creation’s synergies newly birthed. In the cold stare
Of noonish sunlight I sense with fragile accuracy the beneficial glare
Of all my peculiars, entities and particles that occupy the ear,
Delight the eye, and not so subtly remind me that I am,
And need not doubt the ground on which I stand.
…painting by Catherine Manchester…
Posted in Accident, Affirmation, Age, Aging, All or nothing, All that is, Anagnorisis, Anguish of the night, Anticipation, Lyric Poetry, Mirage, Myth of Sisyphus, Poem, Poetry, Sonnet
Tagged Age, Aging, Delusion, Detachment, End Times, Existence, Illusion, Immortality, Lyric Poetry, Mortality, Sonnet, spirituality, Tragic Flaw
“He Delights in Convenient Signs”
He delights in convenient signs: the sun, the moon, the stars
The universe, and through illusion his eyes declares the day
And night are one. His view will see its way
Through symbols. He sees all points of value from within or far
Above their azure prison bars of graphs, these atmospheres
That parent all the earth, extending parts per million through to voids
Above, below, and far behind the splay of asteroids,
And solitudes in comets, sunspots, suspect planets, clear
Blue skies, and all twelve scions in the heavens and this
With ease and loving faith with no regard for certitude. Who
Is not taken with parades, grand processions,
Multiples of keen perception spliced with clear impressions,
Curtain calls for universes, wholes in which the paper defines the clues
To occupy the crude sophistication of our many-billioned eyes?
And after all, these cosmic nosegays raise all souls, and take us to the skies.
…at top, photograph by Jesse on deviantArt.com…
Posted in Imagery, Imagism, Lyric Poetry, Poem, Poetry, Samsara, Sonnet, Sonnets
Tagged Existence, Illusion, Imagery, Imagism, Lyric Poetry, Nature, Poem, poetry, Sonnet, Sonnets, Wonder
“Answers in the Tea-leaves”
Answers in the tea-leaves, sheaves appear before the harvest
Is gathered; there within the dross, a silence brewed to solution.
Questions, masked, bitters in the waters provide ablutions
To the tongue; dissolved, a saviour moot with which to invest
In what must come when coincidence and will are spent.
And what of proceeds, pensions, dubious transactions
Boxed and packaged in the cards, admiring factions
That succumb to givens in the numbers of the deck? The rent
Is paid, the covenants lapsed, and here again,
The possibilities drown within themselves! When Vonnegut died
There came a deadly pause and then applause (denied
Of course, but heard!) from every semi-colon on the plains
of every page. “Just so,” the concourse wails, “What will you write?”
“With what ink,”‘s the reply, “and with which nib,
… and who’s the audience tonight?”