Category Archives: Imagism

“Waiting”

Waiting-for

“Waiting”

Waiting. Waiting. From where I sit
I see but platitudes of prepositions in multitudes in wait,
Rapacious greyhounds―verbs and nouns cut off at the gate—
While dangling snails modify themselves in the gambit
Toward their verbal soup seeking refuge.
What’s quick and nearer are the terrors
Writ and easy abscess to blatant errors
In the long run baked in the heat of subterfuge:
Aye me! What act that roars so loud and thunders in the index?
Yet pundits scream and stream the name of truth
With the watchword “Breaking news!” Abstruse,
Perhaps, yes! Obtuse and perpendicular to a blatant text
Announcing nothing more than ounces first, then gallons
Of bile and holiness at the claw and retribution in the talons.

“A Respite”

“A Respite”

A respite in the air today and news,
And down the chute comes something nice,
Some piece of fond assurance, the sweetness of advice
To justify past days and weeks of toil and views
Obscured by all that’s loud and cumbersome above;
Below, scenarios of arteries and paths
Through streets on seamless days. No dragons’ nostrils’ wrath
Knows no better than to lie between the wings of doves
Or gentle nestlings in the palms of all the psalms of fortune.
Today a gentle width in avenues and boulevards
And all the right-of-ways are opened wide, the gloss of plastic cards
In bank machines, the brighter melodies of shallow i-Tunes
Whistled in the mind on buses at the hour of noon.
A mystery witnessed in the heart, eternity cut short too soon.

“Sonnet in Honour of the Feast of Jalál [Glory]“

Bahá’ís of the world commemorate this First day of the Bahá’í Month of Jalál [Glory]  after sunset today or before sunset tomorrow.

A flower

“Sonnet in Honour of the Feast of Jalál [Glory]“

“The Dread of Moments”

Dread potentials, moments in the mould,
Images of nascent idols set to polish, so the keeper at his ease
Recalls; the times are shorter now; is not urgency greater than needs
Concealed within in a stamen that cannot yet unfold?
Nothing enters, nothing leaves this place, nothing’s free.
There are fears that in the groaning, smoothly flowing
Movement, here to there, the fruit and flower growing ever knowing
Unities of purpose, oblivious of confidence in returning delicacy.
Potential glory for the anther in the night,
auspicated but veiled in atavistic fate.
From here to there spells a restive, wearied state
In seconds–hours, really–and the weighty knowledge
that what augurs beauty pains in coming ever slightly too late,
“. . .And I’ll be going, now!” The pistil whispers thus: “I too am late!”
The stigma argues as the fruit becomes too ripe,
as aspirations of modernity expose their flaws
At dusk or dawn as substances within themselves
scribble all their glories  in the name of natural laws.

A flower2

“Oh, He Knows”

Summer: Young September's Cornfield 1954 by Alan Reynolds born 1926

“Oh, He Knows”

Oh, he knows, he surely knows that pain,
And in the morning of his life he drew
Himself from deeper wells he knew
He could not fathom, nor did the rain
Object, no rival to his tears, and all he did was dance.
Departing early, Venus rising in the mists of cold Nebraska dawns
Found sweat and pleasures in his skin as he was drawn
To deeper paths beyond the last and lasting chance
To turn aside; but, no! He did not return. And neither
Did he stop till he was well beyond the sleeping town
And found himself the audience of a thousand feathered clowns
Atop the ocean rows of corn and maize and high above the purple ether
Of the shallow island’s edge. The vanities that irrigate his endless thoughts
Were rivers then, and there he danced until he dropped.

…painting at top by Alan Reynolds…

“This You Chose”

“This You Chose”

This you chose, you know, the lethal wound, external fire,
Internal final cut the cleanest; the choice was never mine.
This you chose; your arms, your scent defined
The borders, walls, the floors, the exposure. Your desires
Say nothing past the yesterdays of pre-dawn, and glad
I was to rest the while, and glad you are that I am gone.
But nothing’s rendered in the late night’s song,
The me in you, and yes! You know the sad
Result: that moon’s pain can not know a sequel.
The senses, these you know , with no contempt,
But radiant resignation in the hours of heat and pure idolatry. Spent,
The sentence stands within this world. These final sentiments rule;
The veil, the truths we’ve always known; the hourglass, the idols of our nights,
Its sands, a closing hush of breath at daybreak when all our meteors take flight.

“Limbs”

“Limbs”

Limbs, appendages, extensions, sinew stretched
Across the chasms, voids, and axles
Of Creation, forms to occupy the mind; cosmic jackals,
Vain imaginings sprung from fractals, etched
In plaited mesh and skeletal remains combine
To people thought and populate scenarios.
Nothing ever quiets the machine, the interim’s need will borrow
Legitimacy and gravitas from life’s single habit, refine
Its use for lifetimes, the penultimate line in verses
Penned to presage the tentative, the simple strokes of time.
Transition’s in the air, my friends, and next in line
For what’s about to come to pass might well be curses
For the speed with which the world embraces in exchange for its mistakes.
Only the Creator weds the art of accident to apposition for its own sake.

“Sad You Say?”

“Sad You Say?”

Sad you say? I knew you meant it;
Yes, my sadness drained through your fingers
Leaving little more than moisture. Something of me lingers
With you that you own is yours. Summits
Of either joy or pain remain to use the heart, the limits
Of the body—anywhere will do—from head to toe; these, the singers
Intone its presence, equations flatter integers
Enough to anoint themselves exclusive in finite intimates
And variations for the sake of form.  These flights of melancholy
You mistook for yours; as well,  your joys I imagined mine  in the mirror,
And neither of us were the wiser in the final calculation.
If one of us is right, we’ll see our satisfaction and salvation
In what little time remains to us in life; the eternal holy
Light is never long in coming. If one of us is wrong,
…there is no deliverer.

“So Easy to Desire”

V_MAG_NICK_KNIGHT_SUMMER_2011__V71_NICK-KNIGHT_HR3

“So Easy to Desire”

So easy to desire these miracles. But think
On this! Where’s the catch? the marvellous sleep
That comes to mind? what promises can keep?
What tests in time the price in days to come? These drink
To fortune, progress, and better days; these Sadducees of success
Attract millennia condensed within a briefer purse of seams
And hedges, hems round all for whom and what dreams
Of self and eternity? Beauty;s forplay and something’s earned but divine redress
Requires questions in the hours to come, those latter thoughts of distress
And wonder on some encounter in the looming longest night of nothingness,
Nemesis in paeans, time and endless waiting; rhymes are stress
Enough! these poesies and all that scansion in between lie flat, a wilderness
Of costs in hasty elevation of hymns that breathe the urge to to right a wrong
While in the time it takes to read this ode, its pen is dead and gone…

la plume de ma tante, indeed!

…art by Nick McKnight…

“Gold Bars Soar”

gold1

“Gold Bars Soar”

Gold bars soar that may or may not be there as dollars rise and fall
While doves and hawks lose feathers and the bourgeois stain
Their corporate tablecloths; numbers genuflect as mortgage rates
And candidates trade places in the spin. Who sleeps in the caterwaul;
Who stampedes for attention in the networks’ nightly call
To arms not heard since Boston; whose cotillions root for the notorious? Bait
And bombast never fails; the remedy is ever there and altogether late,
Meticulously timed by someone out to fill the stadia and malls
With never ending seasons’ greetings and wherewithal
To keep the vital signs of spinning polls and sardines at the gates,
Martin’s dream is deemed appropriate for the calendar and numbers integrate
The use of steroids and youthful thrall so no one drops the ball.
Who needs another change for heaven’s sake as one size fits all:
…And who really gives a damn with elections in the fall?

“I’ll Not Wait”

“I’ll Not Wait”

I’ll not wait till dawn to praise the sun;
Shadows follow closely where I sleep; this night must end:
I’m guaranteed as much. What, then? Tomorrow? What? Again
A word’s delay a world away is all, so, patience me. The midnight trains still run
Their course–stampeding to the east to crawl back westward–and catch
The rising or the setting cosmos all along the local milk run. Coaches
Matter not, jettisoned or newly recreated in the Milky Way, we approach
Our destinations, dusks or dawns in proper times; passengers dispatched,
Who only seem to arrive at destinations previously booked
And so we do not blithely cease to live because we wait
Upon a final station or dream of tracks not even built. Medusa guards the gate
That turns all nightly plans to stone, and we her momentary shades that looked
To make the journey know the Night Train only claims a means to ends
Through mirrors while season tickets mark what joys the daybreak sends.