“And So the Thirteenth Year”
And so the Thirteenth Year has risen. Once again
I see the many-signed horizons change, but not so the pun
Celestial; what comforts are guaranteed in the constant run
Of sun and moon throughout translucent images in the reigns
Of single days. These rules ride aloof above the change
Of negatives within my finite train, my sometime home, the living corpse
That casts reflections of my shadow, or so it seems; no horse
Owns less. As I am weaned from Babylon, divisible and rearranged—
Its thousand eyes around this common phantom’s dream
Among the billions—creatures certain of their differences in days
And nights exist but only quietly remain beneath my skies amazed
That what has always been there, seen
Across my ceiling, yes! is not at all remote.
The constant conflict of years has risen once again and smiles
As what’s about to be is simply all that’s left posterity in the miles.
Posted in Age, Aging, Imagery, Imagism, Lyric Poetry, Poem, Poetry, Posterity, Samsara, Years
Tagged Age, Aging, End Times, Existence, Imagery, Imagism, Immortality, Lyric Poetry, Mortality, Poem, poetry, Sonnet, Sonnets, Tragic Flaw
…a revision of the poem…
Swept aside, all moments and celestial mementos collide
And waste no never-mind on credence and retention
In the wake of greater cosmic rinds and supine celestial reflection.
Mortality by definition lies; not so through what histories imply
But in the daily interaction of missives from the Goal
And penultimate ilunga * of the Source or
Sanctions of interaction in the triumphant triad of the coarsest
Ores of time, of space, and all that matters. Time, the cosmic linen folds
Of space and active order; space, the theatre of experience at the heart
Of the observer; matter, but an audience, a phenomena in passive
Active shadows of Creation and its nemesis. Simplicity is massive,
Complexity but a word; a question’s languages are art
And science while the answers form the pathos and the abstract.
What is more pathetic than to be and yet be nothing in the act?
Simplicity in the classic form requires
The prefects of a perfect vacuum
Combined in such a way as compliments the acumen
Of a strident meme, the jealous zeitgeist, tests that to the whole inspire
An urgent need to pause, to linger over bodies no longer really there,
A little more than a half a generation’s substance in a given time.
So granted this, so beautifully and tragically resigned,
Aloud comes the elegies of episodes to “Move along!”or “Retire!”
With such a cry inscribed, there was and always is
A here and there in rapid profit worshipped, fierce
As gallstones of desperation: “This, our chosen age, rehearsed
Upon a cross of memories little more than lyrics of an ancient tryst!”
And, equally, the many crowned and catalogued, remain aloof
Through symmetries of perfection in a sacred dynasty of embroidered truth.
*The word is ilunga, from the Bantu language of Tshiluba, and means a person ready to forgive any abuse for the first time, to tolerate it a second time, but never a third time.
When there is this, that is.
With the arising of this, that arises.
When this is not, neither is that.
With the cessation of this, that ceases.
His Holiness The Buddha
Posted in Affirmation, Age, Aging, Antithesis, Arts, Buddhism, Change, Classic, Cycles, Double Sonnet, Elegies, End Times, Ends, Generations, Hubris, Hustlers, Hyperbole, Idolatry, Matrix, Meme, Memory, Negation, Nostalgia, Numinosum, Pathos, Poetry, Posterity, Pragmatism, Pyrrhic Victory, Relativity, Retirement, Samsara, Sciences, Seasons, State of Being, Stations, Synthesis, Thesis, To be or not to be, Tragic Flaw, Tshiluba, Yearning, Zeitgeist
Tagged Double Sonnet, Lyric Poetry, Sonnet, Sonnets
“Within the Second”
Within the second, tension
Greeting and suspension
Sought by no one’s intervention
Never seen when the incision
First was made; immediately regretted,
The fisherman must pay out nets in
By miles in order to withdraw from what is set in
Stone for life and wife and children and the silence of posterity. Sunsets
Measured by exigency’s precision and jealous alacrity in moments
Of lucidity crown flights that condescend to incidents and stories
Never dreamed by this finest man or that great fish by land or sea
But in and with slightest motion’s predetermined goals, histories
Of continents and oceans satisfy Calliope
and there within their stations, torments
Boast of sacrifice for crowds where cowards
in the chorus crucify their tragic characters and epic plots
swell as sweat from depths within the pores of poets
finding every gilded ancient fear a kind of test
that does not rest but resonates as never-ending glory.
Posted in Action, Chorus, Classic, Crucifixion, Elements of Narration, Epic poetry, Fate, Fear, Fisherman, Gods, Greece, Martyrdom, Muses, Negation, Pathos, Poetry, Posterity, Providence, Rest, Sacrifice, Stations, Tragedy, Tragic Flaw
Tagged Calliope, Character, Chorus, Lyric Poetry, Plot, Setting, Sonnet, Theme