Category Archives: Marriage and Divorce

“He Passed the Bricks”

“He Passed the Bricks”

He passed the bricks he lived in once today
And for a second felt the loss, a certain regret
For what was then and is no longer. So wet,
So green, so full of hopes and dreams delayed
While he was arrogance, itself, and barely free from teachers.
So full of what it was he thought he was, he married,
Had a son, found his breadth again, and carried
Balances forward to the point he found he could not reach her.
Separation’s not so facile as inevitable,
Again a second house and this of straw, a second child
As though he gave a damn and still he could not reconcile
What differences it made. They deemed it irreconcilable,
The either of them undeniable and so they parted as they could.
There is no safety from the wolf, you know,
no magic castles built of brick nor straw nor wood.

“I Don’t Suppose I’ll Ever Know”

“I Don’t Suppose I’ll Ever Know”

I don’t suppose I’ll ever know; she never told me.
I had no calling card and she had no address,
Or if she ever gave it to me, it was always less
Than what she wrote to him and could never be
Disclosed. Of course, I looked for all the world; I seemed
To be forever browsing bookstores in more or less
Abandon even wonton dedication to the kind of eagerness
That only children presuppose is happiness or glee.
It was never there, you see, and yet I was ever
At the ready to believe in terms of passages that saw her through
A time or two of something close to primacy or proximity
To what it was she never found in me—sublimity
Or something that she’d read in Keats and Shelly, severed
In the end from Dover Beach and miles from Xanadu.

† William Butler Yeats [13 June 1865 – 28 January 1939]

Percy Bysshe Shelley [4 August 1792 – 8 July 1822]

 

“The Greatest Sanctuary”

“The Greatest Sanctuary”

The greatest sanctuary saves, preserves, and seals
The last and latest treasure; final fears are entertained
And in the end repeat themselves penultimate in any age
That’s spent with nothing left to say. The morass of months reveal
Themselves as names, the briefer moments cast in isinglass,
And hung above the door as witness to emotions borrowed to defend
The journey of both giver and what it is that’s given–split ends
That pass at times for purity of desire. Consternation, then, at last
Effaced, those few peas remaining within the pod will spend
Themselves while outward bound to what is after all a dream
Or merely someone’s lunch. They groom together–the sheen
Is frayed–delay is shame when every effort to confirm or to renew offends.
Reconnoitred, what were formerly evergreens
disclose themselves as deciduous devotions
That decry their former riverbeds as puddles, watersheds of desiccated oceans
That long since disappeared. Yes, we’ve seen this rain before
and now we see it every day;
Umbrellas up, umbrellas down, yet these expose
Themselves as useless as the refugees keep running, hoping, close
To bolting at the slightest sign of teardrops in their pain.
And what is gained in either case, the with
Or the without? The question here is moot.
Is moisture poison to the man who values silks in suits,
Or to the woman bound to shake her fist
At every incident that renders hairspray a total waste?
But these are questions for the sophist’s notepad and fodder
For prevarication while what is relevant to the journey, a blotter
For veneers of life are disclaimers and discounts which so easily make haste
To negate what is evident in a common tin of oysters or a jar of lox:
The end of every one of us is six feet under in a box.

“But When I Got There”

“But When I Got There”

But when I got there she was gone. She’d left
No plea, no word where she’d be; I read her psalms a while,
A scribbled promissory note–revealed, not written–styled
In slashes, rushed laconic storms as if she’d dreamt,
Then scribbled some several images and icons that came
To mind, their colors, shapes, emphatic significance long lost.
But yes, of course, a cornacopia of some importance with costs
To others never mentioned, measures all the same;
Her markers, a pocket watch, a dance card, rounds again
Erased, replaced by later exponents and functions, the last
Of greater importance than the first, as if somehow all past
Positions, titles, desertions and queues were prearranged
By station assigned more than content stoked and enflamed,
And as with her I had come first, I no longer had a name.

“Surprise Her, Then”

“Surprise Her, Then”

Surprise her, then, and leave the rest
To guess what took so long; he waited patiently,
She preferred a mirror; he, a glass of sanctity.
Eternity? He had no time. Her guess
Was lost on both of them; they never cared
To tip the waiter and neither bore the blame
For tastelessness in choosing tables, lame
Excuses mumbled that the appetite just wasn’t there,
And, after all, the glory of a pearl is its frugality
Amongst the gems with nothing wounded on the sharp communal knife.
These holy breads come whole, unsliced,
A lethal wafer, lightly tasted with a toast to purest blasphemy
And one more for the road. Infinities in anonymity are served in double slices
As an altar’s daily sacrifice, eternal virtues
stripped of immortality reduced to vices.

“‘Twas the Blueberry Pie”

“‘Twas the Blueberry Pie”

`Twas the blueberry pie, you know; `twas
That pie as odd as that may sound, and I
Was hungry in the afternoon and spied
Her house―I’d come that way because
I had some several sundry savoury things to do
Along the road that day―and following my nose
A stronger apparition there within me rose,
And she was at the door in no time! Courage grew,
And she was quick to ask if I would chop
Some wood, and surely this was not beyond
My time and energies to spare? “The farther pond
Has deadwood there already cut!” The stop
To gather wood? No problem, ma’am and no delay!
T’was the pie, my son, and that’s precisely why you’re here today!