Monthly Archives: April 2014

“Oh, He Knows”

Summer: Young September's Cornfield 1954 by Alan Reynolds born 1926

“Oh, He Knows”

Oh, he knows, he surely knows that pain,
And in the morning of his life he drew
Himself from deeper wells he knew
He could not fathom, nor did the rain
Object, no rival to his tears, and all he did was dance.
Departing early, Venus rising in the mists of cold Nebraska dawns
Found sweat and pleasures in his skin as he was drawn
To deeper paths beyond the last and lasting chance
To turn aside; but, no! He did not return. And neither
Did he stop till he was well beyond the sleeping town
And found himself the audience of a thousand feathered clowns
Atop the ocean rows of corn and maize and high above the purple ether
Of the shallow island’s edge. The vanities that irrigate his endless thoughts
Were rivers then, and there he danced until he dropped.

…painting at top by Alan Reynolds…

“And When He Looked Again”

sun2

“And When He Looked Again”

And when he looked again, he saw the two suns
Rehearsing illusions in the river’s voice, the highest good,
The other lost within himself; the tidal mirror could
Not bear separation from the source, one
In signs, yet silenced, ever flowing in what it did
In passing. Crudely graced, seducing visions perfectly,
The first declared itself a certainty,
Its faith a recreated memory, its secrets hid.
In less than seconds, there was nothing of the rival left
To view. A single pebble and the river, too deserted,
stretches seamlessly, the cleft
Between the golden orbs become a prism,
the heavens suspended twice, the right, the left,
The recreation of creation, binding immortal mortalities,
void and substance bereft,
The heavens and the earth; breathless, lost within a common interlude
Where visions set themselves through perpetual accident and certitude.

sun-light-reflections

“Confirmations”

“Confirmations”

Confirmations late, perhaps, but guaranteed;
Never ending certitude, the consolation of pieces
The tattered ends of surest re-creation and redress,
The eyes trained to see all between as weeds,
The winded wilderness of detraction,
Thoughtlessness, yes! but cannot tarnish the polished thought.
Win or lose, the matter’s been decided; ought
Escapes the scrutiny of the watcher, a refraction
From within illuminating all that’s without
And damn the static in the wavelength. Repercussions
Riddle doubting minds and incidental mental defections
From others in the cast. The curtain rises, scenes begin
And with or without climax or denouement, a lifetime of delights
Will out in time. But who feeds the candle in the late nights’ softer lights?

“The Cul-de-sac”

cul

“The Cul-de-sac”

The cul-de–sac within a maze does not wait
For introductions from the chair but bends the warp in time
To suit the labyrinth of audience, tempo and subtle rhyme
No greater than space required for one more trophy, a gilded plate
Or just another knickknack on the shelf; the current season’s wake
Allows so little time to plan for sudden guests whose line-up
At the door’s so crudely cumbersome and misaligned
That any gust of wind or shallow breeze contemplates
An exodus and the elevation of a queue to the rank of stampede.
No, we need no fire to raise alarms and no petrels to sing
The hourly anthem. Still it’s not so much what is, but what’s developing
That throws all order to the winds and what’s believed
Trumps what’s been gained upstaging all former rectitudes
And satisfaction, leaving grace disgraced and little left but platitudes.

… painting by Antonio Fontanesi…