Bahá’ís throughout the world gather today within the First Day of the Month of Kalimát [Words] before sunset to celebrate the first day of the Bahá’í Month of Kalimàt.
“Sonnet in Honour of the Feast of Kalimát or “Words”
The Word illumines surfaces in the soul;
Not so the mortal eye, my friend–they who dilate
Earthly limitations know the truth–they violate
The borders of the pupil to occlude accents from a dream. The flow
Of images beneath the lids so often bound, so ever-weathered,
Couples with the muse, crown a cosmic wind of aromatic lustre in the ether,
A cloud—a simple afterthought of action forged in fires of hubris–either,
Lust or fear, pilots in the path of all dust: both are witnesses. Tethered
Wonders, perceptions of the lens, veined, suited in appearance; perceptions
Of an ancient mountain’s bile or gleaned from its seed, diamonds from the sun
Are death to those who negate. Just so, say Prophets in the Sealed Writ or sung
Beyond capacities of the ear heard when spoke, pronounced and uttered
Only once in pre-existent natural form. Seized,
the Word is cut and polished in the tailings of the present.
The Holy Word defines the substance of the raw material of divine parsimony
cut and spliced in sacrifice, rendered gems from ores of human ignominy.
Posted in Bahá'í Months, Bahá'u'lláh, Bahá’í, Bahá’í Faith, Dreams, Dust, Fear, Hubris, Lust, Lyric Poetry, Muse, Poetry, Words
Tagged Feast of Kalimát, Lyric Poetry, Sonnet, Sonnets, Words
“So Tired Tonight”
So tired tonight; the late nights rarely float;
I am here as much as there and wondering in myself when
If ever I will see the stars as well I once knew them. Then again,
The myriad monumentals, the smokey smell of creosote
From aging wharfs, the former headiness of worry,
The urgencies of thoughtlessness and giddy
Private joys of knowing no one knows the silly
Things I want to do. Night birds and a flurry
Of noted messages here, and over there, again the sun
That must soon rise high I see with it all
The weight of clear desire to rearrange what’s left of my small
World; and as for that lost ambitious excited little crab who cannot run
But sideways in what he takes as his private room, he’ll never make it back,
You know, to where he started as so easily the tides will smother both our tracks.
Posted in Aging, Crab, Imagism, Lyric Poetry, Poetry, Samsara, Sonnet, Sonnets, Tides
Tagged Existence, Imagism, little crab, Lyric Poetry, Mortality, silly things, Sonnet, Sonnets
“A Pilot’s Flame”
A pilot’s flame and ambergris, fire and smoke, these privy orizons
As dews appear upon the sight of buds along an early summer’s talk
In the blind behind the backfields; still there is the chill,
a brief Nebraska morning’s walk
Through the shadows’ tides’ abiding shallows
in the breath of dawn; the garden
Path because we share so little
of the masters’ growth in blossoms’ bargains’
Fruits within us both and spare none, no idle chatter,
indeed a pittance of a fee for angels; pillars, cornstalks,
Arm in arm—so much can lead the way to joy within a cosmic room—locked
To one to yet another and another in the repetitious staid negotiation
of noxious clouds and dark but sterile clods, the feeble vain
Attempt to mask indignity in stride until desire’s destination’s
Reached—we know by stealth to find a symmetry in solutions,
Solace in respite from the others at the solstice
of that brief but potent spot.
A proper pole to pierce the continent,
a place we’ve never seen and always sought;
I need nothing more to see your face, to read your book
to savour proctors for procrastination
For the sake of pleasures found in greater prisms
for a lighter thought than pure imagination.
Posted in Affirmation, Angels, Antithesis, Clods, Cornstalks, Dawn, Imagism, Lyric Poetry, Midsummer, Nebraska, Poetry, Prism, Procrastination, Pyrrhic Victory, Relationships, Respite, Shadows, Sonnet, Stealth, Synthesis, Thesis
Tagged Ambergris, Double Sonnet, Emotion, Existence, Imagism, Love, Lyric Poetry, Nature, Nebraska, poetry, Relationships, Sonnet, Sonnets
“Oh, I know”
Oh, I know it”s been said before but bears repeating:
Unless a man embrace estates, his sense
Of eternity, his gifts of endless strife and goals of regret intense
Enough to merit periodic casual to shameless open weeping
In the corridors; unless the deadly abyss of every night’s sleeping’s
Prone to breach and rupture within his dreams or by the clock;
unless ‘neath the lens,
His page is thus combustible by the light focused upon a spot,
his joy depends
On something well beyond his own heart’s contumely,
his gates–his paradise, his weeping–
Fall well beyond the storehouse of his eyes and its catalogue of fears,
His light is changed to fire in tragedy and myths of talismans that guide his way.
Again, unless all this is welcomed well before the final hour, his pride will swell,
His vanity implode, and circumstance becomes
a euphemism for all he sees as hell.
Remember please that breath and breathing signify that death is ever near
And in these final years, satisfaction’s just another word for nothing left to pay.
Posted in Age, Aging, Certitude, Death, Fear, Hope, Hubris, Imagery, Imagination, Imagism, Lyric Poetry, Materialism, Mortality, Philosophy, Poem, Poetry, Pride, Pyrrhic Victory, Samsara, Sleep, Sonnet, Sonnets, Spirituality, Stations, Strife, Tragedy
Tagged Age, Death, Existence, Imagism, Immortality, Lyric Poetry, Mortality, Poem, poetry, Pride, Samsara, Sonnet, Sonnets, Strife, Tragic Flaw
I am my feet, or my history tells me so;
My shins; dexterity amid the rocks reveal it may be true;
My thighs; their balance in distraction sees me through
Illusions at the level of the groin’s most pernicious foes,
Receptacles as voids in need of better news; and though
I am my mother’s navel, my father’s love left so many similar clues—
The evangel to what was otherwise ignored—that the view
In any given moment’s blocked. Here, then, my heart maintains its flow
In reasonable annuity, and I’ll be damned if I am weak,
But if you ask my legs, you’ll find a sometime potent posse,
Nothing else. My once proud pectorals could
Never act alone―as if they thought they should―
But laboured twice the time for heartfelt evidence
That given time I would succeed―
And so I have as I can plainly see.
I am my eyes whose rivals in the ears
At times have overcome the world and all its fears,
But though twice born view both here and our eternity
I see but vanity served that while I eat, I hesitate and feed
On noise and what is after all experience in arrears.
I am my mind; “Cogito!”— the mantra’s cadence shows as through the years
I’ve dined on fine receipts and tallies that what I meant most certainly should be
The outcome of all my powers to deduce a spark from what I’ve seen,
A truth in what I’ve done and glean from what I’m told I’ve been—
This, despite what I know I am,…but let that pass. I am
In fact conceit, itself, and in its place I stand
And where I sit and both but simple remedies to all I’ve gleaned:
“I am,” the Ancient Sage made replied, and “that I am,” shall be
a fleeting moment’s apostrophe to truth and not at all what I believe.
3:14 And God said unto Moses, I AM THAT I AM: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.
Posted in Aging, Arrogance, Born again, Father, Feet, Imagery, Imagism, Lyric Poetry, Mother, Navel, Poem, Poetry, Samsara, Shins, Sonnet, Sonnets
Tagged Age, Aging, Double Sonnet, Existence, Immortality, Lyric Poetry, Mortality, Sonnet, Sonnets, Tragic Flaw
…dedicated to the many who wonder what’s become of all that is and where the bottom is…
“‘The underside’ … it’s not just in tandem, ‘Once, it’s everywhere! … sigh …’”
And she was right. It seems the predilection toward
The animal appears where there is none; the tsunami’s force is froward
Where there is no place to go but straight to hell for all but those who fly
Or settle for a second-rate mortgage off the high road’s endless traffic.
And we along the shores of what’s become the greater sea who sit
And sign within ourselves no higher there, nor lower here, are aware of it:
There is no real rest from those who foment
Condescension to Creation, laced with lies
To trap the innocent, and revel in the vanishing point
Below the picture, well beneath the edges or between the joints
Of slender bones and tissues in the body politic; cries
Will rise for them and for their victims and their families,
The “taken”, “took” and “broken for which poets scribble homilies.
“The tree outside the window taps very gently on the pane … I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts. To steady myself, let me catch hold of the first idea that passes … Shakespeare … Well, he will do as well as another. A man who sat himself solidly in an arm-chair, and looked into the fire, so a shower of ideas fell perpetually from some very high Heaven down through his mind.”
The Mark on the Wall
“Wife, child, brother, parents, friends…We come only to go apart again. It is one continuous movement. They move away from us, and we move away from them. The law of life can’t be avoided. The law comes into operation the moment we detach ourselves from our mother’s womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated lonliness is the only truth of life.”
R. K. Narayan
[October 10, 1906 -- May 13, 2001]
(shortened from Rasipuram Krishnaswami Iyer Narayanaswami)
The English Teacher
Posted in Affirmation, Animal, Arts, Change, Chaos, Civilisation, Distraction, Duplicity, End Times, Family, Hubris, Hypocrisy, Isolation, Lonliness, Lyric Poetry, Mankind, Materialism, Mediocrity, Mortality, Negation, Poetry, Poets, Reunion, Separation, Sonnet, Willaim Shakespeare [1564-1616]
Tagged Immortality, Love, Lyric Poetry, Relationships, Samsara, Sonnet, Sonnets
Hamlet asks if she is honest, if she’s fair;
The question does perplex the lady staring
At him while it happens that she’s wearing
His improprieties, while it happens on the stairs;
He frequents passages in what is advertised as home.
Still the question’s moot, Ophelia has no real idea
Of what it’s like to be a thing of less than beauty cursed; she’s a
Little foreign to the notion that one roams
Beyond the confines of what is truest north—
There are but two poles proffered by Gertrude as her husband’s only clues
And north must be somewhere near the stove,
Her safety just beyond the storage bin that holds the spoons and forks―
No, she’ll pass on both the question and his gifts to what’s beyond the arras;
Rich gifts do not wax floors, nor is this prince so careless. She’s seen the banks,
Below, the river’s malcontent; above,
the winds’ reeds’re resonant
With restive cycles in all those reasons. So many eyes intent
On recognition of what’s lately seen when all is rank.
Still Hamlet gathers evidence back and forth along the way. Her prince questions nothing honed from stationary life;
He does not own a life whose questions never fade
Remaining here but seconds in his needling days
Of endless desert silences in a crowd or in audience to an empty city’s sirens.
That one is here implies that everyone else is there along the far horizon
Beyond the accidental mistaken substance dreams and death. Ophelia slept,
No mystic talisman comes to thwart the fall; His promise he has kept
To weed the present neglected fallow fields and lighten pressures of neon nights.
In his peerless flight is knowing nothing of this life and spending his days in sporadic search for what in death poor Yorick must have felt.
Now get you to my lady’s chamber, and tell her, let
her paint an inch thick, to this favour she must
come; make her laugh at that. Prithee, Horatio, tell
me one thing.
What’s that, my lord?
Dost thou think Alexander looked o’ this fashion i’
And smelt so? pah!
Puts down the skull
E’en so, my lord.
To what base uses we may return, Horatio! Why may
not imagination trace the noble dust of Alexander,
till he find it stopping a bung-hole?
‘Twere to consider too curiously, to consider so.
No, faith, not a jot; but to follow him thither with
modesty enough, and likelihood to lead it: as
thus: Alexander died, Alexander was buried,
Alexander returneth into dust; the dust is earth; of
earth we make loam; and why of that loam, whereto he
was converted, might they not stop a beer-barrel?
Imperious Caesar, dead and turn’d to clay,
Might stop a hole to keep the wind away:
O, that that earth, which kept the world in awe,
Should patch a wall to expel the winter flaw!
Hamlet, Prince of Denmark, ActV, Scene 1
Posted in Alexander the Great, Caesar, Death, Gertrude, Hamlet, Imagery, Imagism, Lyric Poetry, Ophelia, Poem, Poetry, Samsara, Sonnet, Sonnets
Tagged Double Sonnet, Dreams, endless desert, Existence, far horizon, Illusion, Imagery, Imagism, Lyric Poetry, Poem, poetry, poor yorick, Relationships, Samsara, Sonnet, Sonnets
“Perhaps Too Obscure”
Perhaps too obscure, absolutes, prerogatives, profits,
Relatives, feathers of the phoenix–costly downs for pillows,
Materials for bedding–indeed the silhouette
Of controversy in the bower prohibits
Poesy from kneading souls and seeding requisites
For immortality with mortal flaws and fatal shallow
Pools designed for poets such as these that wallow
In the larder oblivious to dangers, intrinsic
Natural blinds to tar pits where only fugitives
Attempt to flee from what is evident in destiny.
Notice neither freedom for the bird nor fish
To feed them gather here; unheeding species. Lavish
Ignorance and wanton lust are lost on adjectives
Whose ontogeny merely seeks but life and progeny.
Posted in Ignorance, Immortality, Lust, Lyric Poetry, Mortality, Negation, Obscurity, Ontonegy, Phoenix, Poesy, Poetry, Poets, Samsara, Sonnet
Tagged End Times, Existence, Lyric Poetry, poetry, Sonnet, Sonnets, Tragic Flaw
“The Cello Hours”
The cello hours born in satisfaction’s flowering
Struggle for the taste of sunlight’s ambered
Quotidian pause between yellowed evening song in embers
Of any passion’s flames, the body’s needs, so immediate, so towering
In the vertical for lack of space to run;
Steeper slopes too raked; some desperation’s blotting out
What memory’s suns’ refuse to yield–the stout
Resolve, the countenance of all volition’s fruits undone
By now and all but totally forgotten in the dying folds of coals.
We rush from one safe haven to another.
Absurd, but on this earth tectonic shifts that smother
Linger in the soul and while all the world’s aglow, the body sees but single goals
In search of yearning for the satisfied in every earthbound swarm:
“Touched or touching, now I tell you friend, I must be warm!”
Posted in Amber, Body, Cello, Coals, Embers, Evening, Fruits, Hours, Lyric Poetry, Memory, Passion, Poetry, Resolution, Safe haven, Satisfaction, Slopes, Sonnet, Soul, Sun, Sunlight, Swarm, Tectonic shifts, Touch, Volition, World
Tagged Age, Aging, Existence, Imagery, Lyric Poetry, Nature, poetry, Relationships, Sonnet, Sonnets