Tag Archives: Samsara

“So Simple”

sliver moon

“So Simple”

So simple seen at dawn so long delayed, but a sliver of a moon! Brighter
Than I’ve ever seen it, veiled perhaps to purpose
through the willful blindness of my years,
What was it that I remembered to forget? Either eye—when both were clear
And unobstructed—saw visions in the nightly flight to lighter
Skies, at sunset drawn the more to intimate sensations in the rites or
Worshiping the more immediate, stated immaculately, requiring little fear,
An unobstructed view of objects seen as “closer than they appear
Within the mirror?”…or were they ever there at all? I know no delight now nor
Fascination in the company of others of the present stage―
The Illuminati of so many conversations in the next booth just the other day―
before the show and afterward, hushed and heavy harsh realities
Of lamps without their shades, a universal fade to cold formalities
Of “I don’t know, though!” or “Whatever…” from the blossoms’ buds whose age
belies so much gravitas and care.
And whose will does not beget transaction before they’re paid
and praised. Then again, does this ancient luminary care
so long as they’ve been there?

“Just What You Meant”

“Just What You Meant”

Just what you meant is not too clear today
While all the world feels indisposed but then, aside
From that, it seems the effort to decide
To see must equal if not dwarf the weight
Of longing to be done with this and out
The door and down the street, and gone.
You might well ask what siren draws me out along
A path to worlds away from you, when the route,
The melody we felt, inevitable as the juggernaut of dawn
And all we pledged through pale eternities in this
Fresh day still shone. Together, a certainty that ruled those early mists
Throughout the early morning’s night, what had drawn
Us so close with lightning’s grease to both our spirits’ light?
Instincts lost left walls of thought, but in the end,
all actions dulled as the sun rose and both of us took flight.

“Transitions”

“Transitions”

Transitions, troughs and floodgates
Swell before the crops are in;
Appointments rough-hewn begin
From centuries’ wealth in soils. He hesitates.
Lamentations of the classic farmer’s touch
Bestowed on something that was expected
Neither to outlast the seed nor tip the balance but once elected
Audit landscapes from the past and serve the sudden rush as much
As circumstance permits a well to gush and choose another path.
He was a teacher; was, and no doubt
Will continue to apply the torch to oils of souls
Whose mission is to lance the boils of youthful wrath
And freely prime the wells of mass miscalculation of the myths,
The babbling and cursive powers of hubris and its shibboleths.

 

“You Own the Year”

“You Own the Year”

You own the year and years before you
As I the year and all that’s passed;
Your signs are rising, eternity is steadfast.
Quo vadis, then? I who serve eternities am overruled
By sheer numbers, countless previous dispensations viewed
In retrospect and circumspect in vast
And spacious notions of impermanence and impasse.
I see before the fact in part, imperfectly at present, pursued
By spoils of the war and coupled with a dubious acquired taste
For bitters, an acerbic memory gained close at hand or lost at sea.
Nothing in this world is or is so stable
That it is not utterly dependent, created, removed and recreated on the table
Of bounties throughout creation; what God has willed to use or waste
Shall be not be more or less than what it is and what is not shall never be.*

***

* “Protect me, O my Lord, from every evil that Thine omniscience perceiveth, inasmuch as there is no power nor strength but in Thee, no triumph is forthcoming save from Thy presence, and it is Thine alone to command. Whatever God hath willed hath been, and that which He hath not willed shall not be.

There is no power nor strength except in God, the Most Exalted, the Most Mighty.”

–His HolinessThe Báb, Selections from the Writings of the Báb, pp. 190-191

“Bethlehem’s Hours’ Mourn”

“Bethlehem’s Hours’ Mourn”

Bethlehem’s hour’s mourned, furtive glances northward toward Nazareth;
Veiled her expectations as soon enough her promised Son survives.
She knows that somewhere in between this king contrives
Within himself to build a wall. He practices precision; he does not guess.
He knows exactly what he wants, and from the East come
Three who only recently made queries round the campfires
‘Neath the skies beyond the Jordan. Casually they’ve inquired,
“What are these walls, and what the genesis of guns
And orchards plaited all along the shepherds’ run? Whose images are these,
And what is it they disguise, the vulgate for the people?”
Yes, they come, these three, adrift once again stalled between the steeples,
Barred, forbidden. Then again, their passage isn’t what it used to be.
They ask in vain and find the answers come as no surprise.
The king’s awake tonight; he’ll not fool the wise this time.

“Oh, I know”

“Oh, I know”

Oh, I know it”s been said before but bears repeating:
Unless a man embrace estates, his sense
Of eternity, his gifts of endless strife and goals of regret intense
Enough to merit periodic casual to shameless open weeping
In the corridors; unless the deadly abyss of every night’s sleeping’s
Prone to breach and rupture within his dreams or by the clock;
unless ‘neath the lens,
His page is thus combustible by the light focused upon a spot,
his joy depends
On something well beyond his own heart’s contumely,
his gates–his paradise, his weeping–
Fall well beyond the storehouse of his eyes and its catalogue of fears,
His light is changed to fire in tragedy and myths of talismans that guide his way.
Again, unless all this is welcomed well before the final hour, his pride will swell,
His vanity implode, and circumstance becomes
a euphemism for all he sees as hell.
Remember please that breath and breathing signify that death is ever near
And in these final years, satisfaction’s just another word for nothing left to pay.

“The Underside”

…dedicated to the many who wonder what’s become of all that is and where the bottom is…

“The Underside”

“‘The underside’ … it’s not just in tandem, ‘Once, it’s everywhere! … sigh …'”
And she was right. It seems the predilection toward
The animal appears where there is none; the tsunami’s force is froward
Where there is no place to go but straight to hell for all but those who fly
Or settle for a second-rate mortgage off the high road’s endless traffic.
And we along the shores of what’s become the greater sea who sit
And sign within ourselves no higher there, nor lower here, are aware of it:
There is no real rest from those who foment
Condescension to Creation, laced with lies
To trap the innocent, and revel in the vanishing point
Below the picture, well beneath the edges or between the joints
Of slender bones and tissues in the body politic; cries
Will rise for them and for their victims and their families,
The “taken”, “took” and “broken for which poets scribble homilies.

Once

“The tree outside the window taps very gently on the pane … I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts. To steady myself, let me catch hold of the first idea that passes … Shakespeare … Well, he will do as well as another. A man who sat himself solidly in an arm-chair, and looked into the fire, so a shower of ideas fell perpetually from some very high Heaven down through his mind.”

The Mark on the Wall
Virginia Woolf
[1882-1941]

“Wife, child, brother, parents, friends…We come only to go apart again. It is one continuous movement. They move away from us, and we move away from them. The law of life can’t be avoided. The law comes into operation the moment we detach ourselves from our mother’s womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated lonliness is the only truth of life.”

R. K. Narayan
[October 10, 1906 -- May 13, 2001]
(shortened from Rasipuram Krishnaswami Iyer Narayanaswami)
The English Teacher

“Hamlet Asks”

“Hamlet Asks”

Hamlet asks if she is honest, if she’s fair;
The question does perplex the lady staring
At him while it happens that she’s wearing
His improprieties, while it happens on the stairs;
He frequents passages in what is advertised as home.
Still the question’s moot, Ophelia has no real idea
Of what it’s like to be a thing of less than beauty cursed; she’s a
Little foreign to the notion that one roams
Beyond the confines of what is truest north—
There are but two poles proffered by Gertrude as her husband’s only clues
And north must  be somewhere near the stove,
Her safety just beyond the storage bin that holds the spoons and forks―
No, she’ll pass on both the question and his gifts to what’s beyond the arras;
Rich gifts do not wax floors, nor is this prince so careless. She’s seen the banks,
Below, the river’s malcontent; above,
the winds’ reeds’re resonant
With restive cycles in all those reasons. So many eyes intent
On recognition of what’s lately seen when all is rank.
Still Hamlet gathers evidence back and forth along the way. Her prince questions nothing honed from stationary life;
He does not own a life whose questions never fade
Remaining here but seconds in his needling days
Of endless desert silences in a crowd or in audience to an empty city’s sirens.
That one is here implies that everyone else is there along the far horizon
Beyond the accidental mistaken substance dreams and death. Ophelia slept,
No mystic talisman comes to thwart the fall; His promise he has kept
To weed the present  neglected fallow fields and lighten pressures of neon nights.
In his peerless flight is knowing nothing of this life and spending his days in sporadic search for what in death poor Yorick must have felt.

.

Now get you to my lady’s chamber, and tell her, let
her paint an inch thick, to this favour she must
come; make her laugh at that. Prithee, Horatio, tell
me one thing.

HORATIO

What’s that, my lord?

HAMLET

Dost thou think Alexander looked o’ this fashion i’
the earth?

HORATIO

E’en so.

HAMLET

And smelt so? pah!

Puts down the skull

HORATIO

E’en so, my lord.

HAMLET

To what base uses we may return, Horatio! Why may
not imagination trace the noble dust of Alexander,
till he find it stopping a bung-hole?

HORATIO

‘Twere to consider too curiously, to consider so.

HAMLET

No, faith, not a jot; but to follow him thither with
modesty enough, and likelihood to lead it: as
thus: Alexander died, Alexander was buried,
Alexander returneth into dust; the dust is earth; of
earth we make loam; and why of that loam, whereto he
was converted, might they not stop a beer-barrel?
Imperious Caesar, dead and turn’d to clay,
Might stop a hole to keep the wind away:
O, that that earth, which kept the world in awe,
Should patch a wall to expel the winter flaw!

William Shakespeare
[1564-1616]

Hamlet, Prince of Denmark, ActV, Scene 1

“That Yearning’s Passed”

Yearning

“That Yearning’s Passed”

That yearning’s passed, I know
A peace of simplicity, relief;
A promise fulfilled, the passing of grief;
An outrageous gift of understanding’s flow
From grace to bounty; platitudes, slow
To middling in mine own eyes but quickened as when the wreath
Of outward stars surmounts the inward scars, the chief
Priests’ glower glowing darkly through an ancient glass. In escrow,
Then, to points of no demand and nothing left to chance.
Remember!! greatest secrets born within are less than burdens
In the light and more than shelter can bestow;
Turn the blindest eye to life’s sweet afterglow
And take another look.  Let the foot another step and advance
Beyond the point of scripts for life’s inevitable diminishing returns.

 

“Briefer Images”

“Briefer Images”

Briefer images at dusk along the street and wonders
In me--who is that woman? Street lamps, yes! the moon
Or worse that slaps us both; tarnished, and in a tangent off some June
From long ago, memories in a travel log of time when I still blundered
Through the odyssey of all my fears and slumber seemed forever light,
The blush and dimming of the spots somehow pleasing to so many peoples,
Then, and still I stood to hit the queue  to see her eyes.
Distilled prayer beneath the steeples,
Midnight trains and feeble seats in Greyhounds,
uses of the every highway dedicated to gemutlichkeit
And the momentary! More, a never-ending wanderlust and steam
To drain the festering boils of youth in rhymes of two dimensions:
Points from “A” to “B” to “C”, perhaps to “D”, and mention  The here and there of this I saw or that within what dreams
Concealed in endless intercourse in the night and I so moth- like in the rites
Of great mahatmas in repose amid the golden spinning wheels and kites.