Tag Archives: Lyric Poetry

“Sans Setting of the Sum”

“Sans Settling of the Sum”


Sans settling of the sum, no silent night;

The cold and darkest midnight, no brightest sun
Regained upon the freshness of a morning run
From first awakenings to the duties of the light.
Sans route and paths to shorelines, fishermen
Cast no net nor fruit upon the table there
Beneath the candle and the moonbeam; no joyful stares
Of wide-eyed eager mouths to take the bread, no beds
For doting families there to cradle and caress the children;
No willing intimacy in loving parents, no hopeful news.
And yet, of course, comes danger from the sea,
The stormy petrol cries in certain seasons that must be
Harbingers of hurricane and trial, what we choose
To call the birth pains in a loving mother: nature in herself brings waste.
Her ends must come before beginnings, her gifts but ballast tossed in haste.

“No Matter”

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“No Matter”

No matter. What’s done’s what
It is; longevity
Leads itself to levity
And gone in less than seconds. The cut,
The rent, the fragmentation of the whole
Begins where even light will bend, and footsteps,
Shadows of what’s behind Goliath affect
Oblique distractions, revisions, histories that alter goals
Reborn and re-created by default in every jaded heart.
The slightest movement in the arc turns every head
In this terrain and judgements haunt the dead
And dying on the spot. Done! No one’s laughing as the darts
Of every man’s affliction seek the vanishing point from which he’s strayed
To face finality, the great mirror in whose image no one is betrayed.

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“He Sees the World”

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“He Sees the World”

He sees the world before him plump and peopled, stacked,
Ranged, catalogued, rough-strewn about on plates
Afloat on oceans of such magnitude that dates
And proper measurements are daily sacked.
He’s left the bilious tailings of the mind
To complaisant teachers who soon enough are caught
With nothing and even less in the deluge of what is taught
Is given breath for long. Knowledge blinds
When faced with fresh discoveries played
In such a manner that cataloguers pay
Homage to pernicious publishers whose veracity is weighed
In volumes, guarantees and lose disclaimers of the day
That follow close on what were tablets of stone but the night before.
There are no facts but loose allusions, illusions of the heretofore.

“I Knew”

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“I Knew”

I knew you would not be there;
For you there was no ocean side,
No Qibla further than a certain sweet pride in overdrive
where love subsides and tides
Abate. Never had you inhaled the sweetness of judicial margin, exquisite error
In support of some solitaire, the natural aroma of one last evening.
You never rose with me through the blush of blessings, supine against the skies—
If remission comes it comes too late—you ever cared to look beyond my eyes.
You never saw in me the configuration of your leaving
Nor anticipation, no lighter scent of all that pain you left behind.
Had I been honest, I must admit I always knew it would be so. While
Reticent and cautious, you smiled
On all that came to both of us in all we thought we’d find.
I had the feeling that you’d only blocked a single scene,
Some routine rehearsal while I stood reverent in the splay,
transfixed by what I’d dreamed.

“So Simple”

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“So Simple”

So simple seen at dawn so long delayed, but a sliver of a moon! Brighter
Than I’ve ever seen it, veiled perhaps to purpose
through the willful blindness of my years,
What was it that I remembered to forget? Either eye—when both were clear
And unobstructed—saw visions in the nightly flight to lighter
Skies, at sunset drawn the more to intimate sensations in the rites or
Worshiping the more immediate, stated immaculately, requiring little fear,
An unobstructed view of objects seen as “closer than they appear
Within the mirror?”…or were they ever there at all? I know no delight now nor
Fascination in the company of others of the present stage―
The Illuminati of so many conversations in the next booth just the other day―
before the show and afterward, hushed and heavy harsh realities
Of lamps without their shades, a universal fade to cold formalities
Of “I don’t know, though!” or “Whatever…” from the blossoms’ buds whose age
belies so much gravitas and care.
And whose will does not beget transaction before they’re paid
and praised. Then again, does this ancient luminary care
so long as they’ve been there?

“Abiding Cycles”

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“Abiding Cycles”

Abiding cycles, overriding climes in rhymes of violence and certain gain
With equal expectation of loss the dross of equal certainty in successive reigns
Of terror in the skies just beyond the puny girth of earth’s thin atmosphere;
How much it was the same when Cæsar’s designated revisions of the year
Bore both his names and title in the gilded monthly lists in vain
Presumption that the sun, itself, might be detained or entertained
When will and means conspire to light a fire in cold banality.
Idols worshipped through applause and semi-automatic Coliseum cheers;
Cause wolves to salivate in time. Reflect on just how long these weary fears
Have been the seat and capitol of colossal vain imaginings, the necromancy
Of the rich and bloated tales, tools of millennia of astrologies in the armoury.
How often have bucolic Virgils and Octavians stumbled onto history’s
Urban stage, the first to taste the fruits of history’s tired storylines, effacing
Iconoclasts by default and gluttony of hubris at last embraced
as fresh portfolios forged from fatigue and blatant moral bankruptcy?

“The Greatest Sanctuary”

“The Greatest Sanctuary”

The greatest sanctuary saves, preserves, and seals
The last and latest treasure; final fears are entertained
And in the end repeat themselves penultimate in any age
That’s spent with nothing left to say. The morass of months reveal
Themselves as names, the briefer moments cast in isinglass,
And hung above the door as witness to emotions borrowed to defend
The journey of both giver and what it is that’s given–split ends
That pass at times for purity of desire. Consternation, then, at last
Effaced, those few peas remaining within the pod will spend
Themselves while outward bound to what is after all a dream
Or merely someone’s lunch. They groom together–the sheen
Is frayed–delay is shame when every effort to confirm or to renew offends.
Reconnoitred, what were formerly evergreens
disclose themselves as deciduous devotions
That decry their former riverbeds as puddles, watersheds of desiccated oceans
And long dead seas. . 

“Silversmiths”

“Silversmiths”

Silversmiths retrace the fire; sweats
In rivulets down brawny arms, twin bushes
To the chin and through the valley of the pectorals; and he pushes
Gyres in the waters;
determination defeats defect, fatigue, frets

Along the instrument mould the

shining of a gentle mind’s design,
Undone, the fist and fingers as hammers in the process
Till the thing that was not is and what little rest
In thought becomes the thing, itself, the line,
A cut above a cusp between inspiration
And its final destruction. Destination, oh! the beauty of the thing
Will guide his hands securely and the synthesis, the ring
Of something new or newer makes its run from mental registration
To obsession in the finishing and glories to polish a wondrous sign,
A medallion of conception, some fine image formed of inner space and time.

“Sonnet in Honour of the Feast of Mashíyyat” or “Will”

Bahá’ís throughout the world gathered yesterday evening after sunset or today before sunset to celebrate the First Day of the Month of Mashíyyat [Will]

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“Sonnet in Honour of the Feast of Mashíyyat” or “Will”

We bear witness to it in the station of a still
And changeless vision, cosine as it is to truth.
Volition reigns with all, and rules
To govern its existence will
Continue till the thing no longer bears its seal,
Its sign, its talisman nor sacred stamp
Of manifest yet hidden Lamps
By Whose Light truth’s revealed or is repealed.
There is no greater will than this. We are
Witnesses, the signatories of deeds
Of lingering motives, contracts, seeds
Of instituted factors in the sole
And universal changeless Will and Goal
Whose pages neither bend nor fold.

“Accolades”

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“Accolades”

There are no lasting accolades for what occurs
Before discovery, precedents to concepts, antecedents to the rank of names.
Armies of delusions gather at dusk or dawn—semi-colons it seems—but the aim
Of all is change and nothing seems more real nor more absurd
Than that the sun simply is and continues to be. Perceptions, artefacts,
A vast compendia of condescending clues confound perfections
housed in all the usual places.
Conceptions rear palatial visions, rise and all but disappear where fear displaces
Inner sight and gainsays personal sovereignty. Look again and act
Upon a limpid canvas, more, a pristine marble so easily cut and again defaced
By innuendo or what pacifies the common view
of every art and all science in the debris of afterglow; if judged immortal,
What, then, of the beauty of a single rose reborn through centuries, millennia, yet reduced, detritus as investment in a single angry fist? The bridge and portal
Through which both eyes view and progress signs can never be erased.
Creation’s grace is testimony to the morning of eternity; oneness firmly grasped
Ensures velocity, immunity, and detachment from all that’s passed.