Tag Archives: Lyric Poetry

“I Don’t Know What I’ve Got”

steppingstones

“I Don’t Know What I’ve Got”

I don’t know what I’ve got just now, but I
Can fall behind that step beyond
The first; the second stone—ponds
And streams are pocked with them—exceeds the first, and lies
Wide of studied strides beyond the third, and nothing guides
My heart to conquer short of pride. Inertia extols
Effort but left untried, the will atrophies while it scolds
inaction albeit guaranteeing the right to fly.
This much is true (or so it seems) monoliths contemplate
Delusions’ stones surmounting streams of mocking, croaking insecurities.
Suffocating fog burns the heart then disappears. Its energies
Released, confidence’s set ablaze at sun’s full rising all too often all too late.
In short, I stand alone at times, all movement trumped
By midnight’s clouds and like the elephant am disinclined to jump.

“Bethlehem’s Hours’ Mourn”

“Bethlehem’s Hours’ Mourn”

Bethlehem’s hour’s mourned, furtive glances northward toward Nazareth;
Veiled her expectations as soon enough her promised Son survives.
She knows that somewhere in between this king contrives
Within himself to build a wall. He practices precision; he does not guess.
He knows exactly what he wants, and from the East come
Three who only recently made queries round the campfires
‘Neath the skies beyond the Jordan. Casually they’ve inquired,
“What are these walls, and what the genesis of guns
And orchards plaited all along the shepherds’ run? Whose images are these,
And what is it they disguise, the vulgate for the people?”
Yes, they come, these three, adrift once again stalled between the steeples,
Barred, forbidden. Then again, their passage isn’t what it used to be.
They ask in vain and find the answers come as no surprise.
The king’s awake tonight; he’ll not fool the wise this time.

“Order Comes”

“Order Comes”


Order comes to counter what’s been settled

In the extra room. Chaos speaks: eyes today
Stray south to storms in brew, but thoughts at play
Are not contiguous. Reminder! kettle’s
On, and minutes from the inspiration,
Coffee, and that special toast
I’d meant to have with friends.
No, there’ll be no invitations sent
Today, but in these simple transportations
Warm reminders to the nose.
Seize the season, sit back, smile, and savour
Silence in the afternoon and windblown flavours
Wafting in like ghosts of days long petrified—the rose,
For instance, the night I found that message taped to my front door.
I tossed the flower on the table and read the note right there on the floor.

“But I Have Heard”

fallacies

“But I Have Heard”

But I have heard the most disturbing news that’s troubles
Waters in pools of endless strife and Bethesda’s all too chronic pains.
These! malignant vines, stinging Stygian lines injected through the veins
And made to order on the thought of natural patterns formed of stubble,
Kneaded, twice redoubled, swaths of circles in the crops, alien to all I know
And only hinted at in mild sporadic phatic comic conversations
Minted in the teacups of late night radio listeners, ejaculations
From the ever-ready savants hoarding hours in the climax and the show,
Recurring flotsam leaving baffled masses in the night. On review,
There comes a newer, fresher definition, the specious form and image
Of the natural spectre of the fiend that pays no homage
To the needs of Êblis, Cain, or any of his crew, but centers in the purview
That displaces all philosophy among the latter Philistines while Abel’s told
Rapacious angels suck the spirit nigh to death of any living soul.

“Suppose Evolution”

cain1

“Suppose Evolution”

Suppose evolution the ablution of time as revelation, but gather why
We migrate. All know, of course, or should, what land
We live in, what the borders to the dream, the strand,
The stream of all acts, axioms, atolls of sanity sealed in wax. Try
Reason cupped in raw emotion in the Courts of History, ours
To bend and cherish in or out of season in the time
It takes to be or not to be the first and possibly the line
Drawn in haste in quicksand in the briefest span in feeble hours
Of loss and victory. L’Chaim! A toast to fine
Distnctions drawn between the posse and the Law!
Repeat the gaze, Govinda, and if you see the flaw
In personal salvation, seek penetration through strength of heart and mind,
Hubris in negation and his sibling’s futile crops–annihilation in rage and greed―
While Abel lies silent in the eye of Cain’s infernal whining in the weeds.

“A Single Digit’s Secret”

Energy

“A Single Digit’s Secret”

A single digit’s secret is the outward sign, then two; begin again
And all becomes nothing. Friction is the willing conversation of the elements,
Induction, intertwined interpolations; equity, evidence
Of heat expressed in growth and progress, in the main
A corner filigrée cut of crude credulity. Intelligence,
The Sculptor; magnificence, the Marble; both unknown
And evanescent. Potentials―crops and fruits―are honed
From ancient scans in sands and recipes, and what is sent
To press or put to bed eludes both novelty and ingenuity.
The poet knows what cycles reconnoitre in redux and La Ronde.
What will be has always been while what is seen
Is simple resurrection but with a difference, credulity
In the repeat, as when immortal rumours couched in histories set
Themselves as precedents while external forces hedge their bets.

“I Suppose I’m Moved”

Painting by Jim Daly

“I Suppose I’m Moved”

I suppose I’m moved, and while we’re on the subject
I’ve thought about what you said the other night
About the greater scheme of things, the flight
From genes to the collective, the singular, the object
Without form or substance—and guests. The two united for the trip
Till death, it seems, ignite some familiar spark and they must part. It’s true,
The children see nothing much, no objective clue,
No lighthouse to indicate where they’re going as they slip
From one rude awakening to another; the challenge
Of success or failure, nagging hunger or sudden release
Within the same recurring toss. We then sleep, the keys
To what comes next appear as just another darkest accident in a collage
Awash, so loosely thrown together that the world would probably call it art.
Still, we never cease to seek our truths, our lights, our candles in the dark.

“The Audience”

“The Audience”

 The audience of epiphanies in green
Crowns the brow and eyes as a single emerald.
So great a bending of the intersections, captured, held
Between the fingers or applied to the temple, harbinger of what may seem
To be a truth with absolutely nothing unnatural in the stream,
A common siren in calling to the seed of things to come, an eloquence
In concrete countenance what is today and future joy, the consequence
Of action filigreed with no attachment beyond the need of skill to redeem
A certain benefit; perfection’s  living glance. Perhaps a useless ornament,
A thing revered, brought out to greet the light
And catch a glimpse of seconds in the hour, bright
And subtle richness conjured, a manifest adornment
Of my soul’s ocean against the scrim that is my naked palm:

A silent sentiment and evidence of more than

static lightning in an ancient psalm.
What was hidden for millenia is all right there on the table where you left it.

—Odd, but somehow sans the reading
I am aware that in the seedling’s
Notes are dangers; the ruby there beside it advises, “Keep it
Where it lies. Who prizes opaque lustre knows not every oyster carries gems
And while it might behoove me to investigate
This latest uninviting hostess tight within her shells, still what’s the going rate

For priceless pearls and an eternity

of fresh desire and its  newly polished dividend?…

I cede the need to overcome the last and greatest disappointment;
Addressed in forced and anguished expectations on the spot
Of least resistance placing protocol and proper sequence bought
Above and well below the natural value.

I will not seize the gem whose predicament
Will always win. While yet here, the stone has greater value than what I take
To be mine own, but death devalues all currencies in the natural  estate.

“Joy”

“Joy!”

Joy! Is there an in between the rooms, the space,
Interpolated moments of what had always been attraction, snags
That could not be ignored? Bruises in subjunctive rags,
The memes of “just beyond” but well before the second race
That sat in apposition that as of yet
  And probably never was apprised. Still well astride  returns
For what was, in fact, a blister-burn
A meal gone bad despite precious preparation, set
Aside because she stayed too long that night.
And while she stalled the supper went too far
Beyond the call to matter for what was about to happen: purposes marred,
The banquet withered on the table, fallacies in candlelight
—Removed—to favour what rays in tandem breach in 
Of sun and moon that frame the shadows of a single word.

“Sonnet in Honour of the Feast of Kalimát or “Words”

diamondBahá’ís throughout the world gather today within the First Day of the Month of Kalimát [Words] before sunset to celebrate the first day of the Bahá’í Month of Kalimàt.

“Sonnet in Honour of the Feast of Kalimát or “Words”

The Word illumines surfaces in the soul;
Not so the mortal eye, my friend–they who dilate
Earthly limitations know the truth–they violate
The borders of the pupil to occlude accents from a dream. The flow
Of images beneath the lids so often bound, so ever-weathered,
Couples with the muse, crown a cosmic wind of aromatic lustre in the ether,
A cloud—a simple afterthought of action forged in fires of hubris–either,
Lust or fear, pilots in the path of all dust: both are witnesses. Tethered
Wonders, perceptions of the lens, veined, suited in appearance; perceptions
Of an ancient mountain’s bile or gleaned from its seed, diamonds from the sun
Are death to those who negate. Just so, say Prophets in the Sealed Writ or sung
Beyond capacities of the ear heard when spoke, pronounced and uttered
Only once in pre-existent natural form. Seized,
the Word is cut and polished in the tailings of the present.
The Holy Word defines the substance of the raw material of divine parsimony
cut and spliced in sacrifice, rendered gems from ores of human ignominy.