Category Archives: Sciences

“Let It Be”

varorupture

“Let It Be”

Let it be now that I am and was not, that I opened the scar,
The wound a door, at first from within; I apprised.
A scintilla of light, I walked away from what it was, my eyes
Set forward. Confirmations heavy lay within my heart and far
Above me in the wondrous lapis air a quire of eternal strife,
Droplets in the golden mists of  risible irresistible pain; still, the trope
In millions reach me; similes; interlopers,
What I took to be myself
walk away no more but stumble. The surgeon’s knife
Presumes (as I once did) a strange adjustment, a windless gale of altercations,
And while caveats and codicils have paused, witnesses to alterations,
Yes, even they might smile to see an ominous elation
In the earth and worlds I see, though my eyes have failed. Agitation,
Addressed in the unseen Agora, histories, sciences and arts
So easily desolve in the waters of weightlessness at the quickening of hearts.

a3

…paintings by Remedios Varos…

…a revision of the poem…”Swept Aside”

…a revision of the poem…

“Swept Aside”

Swept aside, all moments and celestial mementos collide
And waste no never-mind on credence and retention
In the wake of greater cosmic rinds and supine celestial reflection.
Mortality by definition lies; not so through what histories imply
But in the daily interaction of missives from the Goal
And penultimate ilunga * of the Source or
Sanctions of interaction in the triumphant triad of the coarsest
Ores of time, of space, and all that matters. Time, the cosmic linen folds
Of space and active order; space, the theatre of experience at the heart
Of the observer; matter, but an audience, a phenomena in passive
Active shadows of Creation and its nemesis. Simplicity is massive,
Complexity but a word; a question’s languages are art
And science while the answers form the pathos and the abstract.
What is more pathetic than to be and yet be nothing in the act?
Simplicity in the classic form requires
The prefects of a perfect vacuum
Combined in such a way as compliments the acumen
Of a strident meme, the jealous zeitgeist, tests that to the whole inspire
An urgent need to pause, to linger over bodies no longer really there,
A little more than a half a generation’s substance in a given time.
So granted this, so beautifully and tragically resigned,
Aloud comes the elegies of episodes to “Move along!”or “Retire!”
With such a cry inscribed, there was and always is
A here and there in rapid profit worshipped, fierce
As gallstones of desperation: “This, our chosen age, rehearsed
Upon a cross of memories little more than lyrics of an ancient tryst!”
And, equally, the many crowned and catalogued, remain aloof
Through symmetries of perfection in a sacred dynasty of embroidered truth.

*The word is ilunga, from the Bantu language of Tshiluba, and means a person ready to forgive any abuse for the first time, to tolerate it a second time, but never a third time.

When there is this, that is.
With the arising of this, that arises.
When this is not, neither is that.
With the cessation of this, that ceases.

His Holiness The Buddha

“The Cells”

“The Cells”

The cells call out their scholarity,
Mighty spires reach for skies
That live seasons in the earth’s penumbra and expire
Forever, so they say. Turn, then, to odd peculiarity,
Particulars in ornate stone formations possibly deliberate
When once they housed a single evening’s temple
Built by want and ignorance of what is simple,
Worshipped by multitudes within, immediate
To some, an intimacy of bodies petrified
And sprung from some light’s supple
Flight that had a need for nuptials–
She, the goddess; he, the priest. So sanctified,
They possessed a night that launched a myriad cliffs
And in that blackest of shadows, its oceans shifted.

–Once

“The poem… is a little myth of man’s capacity to make life meaningful. And in the end, the poem is not a thing we see – it is, rather, a light by which we may see – and what we see is life.”

~Robert Penn Warren
[April 24, 1905—September 15, 1989]

“Swept Aside”

“Swept Aside”

Swept aside; moments and celestial movements collide
And waste no never-mind for credence and retention
In the wake of greater cosmic rinds and supine moot reflection.
Mortality lies; not so, what histories provide
But in the daily interaction of missives from the Goal
And penultimate illunga * of the Source or
Sanctions of reaction to the triad of coarser
Ores of time, space, and matter. Time, an active order within the folds
Of space; space, the arena of experience within the heart
Of the observer; matter, phenomena in the passive
And reactive shadow of Creation and its antithesis. Simplicity is massive,
Complexity’s absurd; the question’s languages are art
And science while those of answers gloat on pathos and the abstract.
What is more pathetic than to be and yet be nothing in the act?

*The word is illunga, from the Bantu language of Tshiluba, and means a person ready to forgive any abuse for the first time, to tolerate it a second time, but never a third time.


When there is this, that is.
With the arising of this, that arises.
When this is not, neither is that.
With the cessation of this, that ceases.

His Holiness The Buddha