Category Archives: Imagery

“Questions”

Ambiguity_480

“Questions”

Questions mount in compliments, the third’s irrelevant:
To be or not to be, to seek the seen or unseen or not to see
at all; so, what’s a circus in a world without eternity?
Then, again, even if no one’s here still the monitor’s adamant
Unequivocal nothing has happened–so what’s the point?
And were you here beside me, would I then need sleep,
Awake but to open my mouth and sing? Would I seek another deep
Abyss within, impose a curfew on the thing or casually anoint
The latest impasse with a casual kiss? There’s a Judas in this;
His days are numbered with the dusts, the rust of wrinkled
Inevitability with excess housed in reliquaries of gold
Whence comes the latest least expected crop
Of shibboleths, coined and counted; there we’ll be atop the list
Some two branches on the tree, twin tokens found, no other sound,
And when I go you’ll miss the show, and who’ll lay me in the ground?

…art piece above by Robin Kranitzky & Kim Overstreet

“The Test”

 

“The Test”

The test is in the poem’s weight, nothing equitable but fair,
And in and of itself an offering, a discrete particle in an innocuous conceit
Upon some higher power in the substance that in its sleep
Has left the path and all the usual signs and banners with little thought or care
To what it means to shoot the moon and sun,  to know what has came
To pass to mirror movements  of the moment; receivers quickly feign
Reaction to the pen and page and all such shibboleths as questions beg the reign
Of order in a desperate bid for substance and recognition inertia that sustains
Momentum in the swamp and swell of ownership by a simple dint of will:
Mindless arbitration comes to mind as sparks defining truth spill
Words and destinies and budding paradigms, the seed and fruit of every hill.
Both will measure every valley undetected, unrestrained.
The eye, the plume, the generations of the word itself must all reveal
An effortless encounter of win and lose no matter what the deal.

“Yes”

Storm1

“Yes”

Yes. So much as I can see
staring Eastward across the waters
that later touch the Holy Land,
still, in the early briefer hour I cannot remember its equal.
Standing here alone in endless fields of wheat and corn
from where I feel an overweening rage Westward, miles
between those twin skyline cauldrons, and swells upwelling heat and sweat
in anxious presage: something coming! sweet release.
My body aches. I cannot stop the prayer beyond the syllables―light and lightning, cheaper thrills, the instant comfort and relief
of ice-cold waters of an irrigation ditch.

Nebraska! To ease the sweet pain,
I cannot wait. I know what’s coming. I’ve always known.

I should not be here, but am I, and nothing in this heart could be disarmed, alarmed or warned to cede to what appears and never once makes sense.

No. I see them, righteous boiling mountains
not of rock; no trees, no streams, no mirage―
no poetic soul’s terse natural verse here while there,
but two whirling dervishes from the West, floods
of supra-natural flotsam, mitred clouds
with stains of seed in florid green
to punctuate potential, a pure
perspicuous majesty
and they stare at me…

Their hour is come. It is their mercurial summons I hear,
its first flush reaching for me and I have no fear.
And in this empty plain,
a place where I’m forgotten,
my early exile, this beside the point
as I stand here, within the hour,
I’ll breathe, I’ll cry, I’ll laugh,
and damn the lightning,
I’ll survive!

Storm2

“His Days In Office”

“His Days In Office”

His days in office draw him closer to himself;
He knows he’ll  finish what he long ago began,
And now? Well, now the dusts and sands
Sequestered in the hourglass run low, the shelf
Awaits, perhaps in this hall or on the other wall
Among the former Oval Offices eulogized
And honoured, and after all, who imagines perpetuity? No surprise
In this, and nothing to be done but heed the last election’s call.
He knows exactly what he’s  done, and he recalls
The early years when nothing hinted at the fall
Of institutions or what his fellows thought when one and all,
They outdid themselves before his very eyes. Wthal,
Their thoughts so tersely croaked upon the twigs of some fine November’s day,
Are odd reminders that values change, and curds dissolve in all that whey.

“Now Mark a Man’s Credentials”

images

“Now Mark  the Man’s Credentials”

Now mark  the man’s credentials as he speaks
To pacify the greater numbers in the act
Within the sport of words, his only ammunition, the facts
Of light within his arbitrary audience. In this he cheats
Himself  and all that is of simplicity, the one
And indivisible beyond the Sadrat’ul-Muntahá, the point
By Whom the conscious constant cursive case of time appoints
Both upper and lower worlds and effortlessly runs
Within Itself this generations’s needs
Deposited, seeds of what will be in fields, in mountains locked,
And from which, freely, fire and ice withdraws their stocks.
Creation surely finds the end in deeds.
If in the breath there is not proof enough
To others witnessed, what is it to be
Amongst us all beyond mere mortal toil or immortal fee
And foils alike, these gems are simple stones.
And it is true that all have rights to speak?
If life is worth beholding to a saint,
Thus then reckon life worth living with no complaint,
A longer extended cut along the grain
For some; a sculpted verse, splinters carved, a life
In words of fine complexion for others while the knife
And chisel complete their commission in omission, again
In elimination to capture something safe,astounds,
Contraband of observation and objects more or less
For all the world in waiting; certitude’s with us,
My friend, in likelihood a likeness have they have found
A last and least messiah blindly plucked, jury duty in the crowd.
They must, if blind duty binds, expose the cloud
Above the clods whereon he sits uncrowned
By all but his delusion, angels’ muted corkscrews and horns
 Release the cork of new and untried bottles for every eye and ear to see
And hear upon the virgin bow of a ship which no one will believe
Is reason enough for this and one fine statue placed.
Gifted verses do not make the tale.
Ananias, lo! to you I speak in verse
To forsake this prophesy live or even worse.

Once

The only way to deal with an unfair world is to become so absolutely free that your very existence is an act of rebellion. –Albert Camus

***

Sometimes when I think how good my book can be, I can hardly breathe.

—Truman Capote

“Sans Setting of the Sum”

“Sans Settling of the Sum”


Sans settling of the sum, no silent night;

The cold and darkest midnight, no brightest sun
Regained upon the freshness of a morning run
From first awakenings to the duties of the light.
Sans route and paths to shorelines, fishermen
Cast no net nor fruit upon the table there
Beneath the candle and the moonbeam; no joyful stares
Of wide-eyed eager mouths to take the bread, no beds
For doting families there to cradle and caress the children;
No willing intimacy in loving parents, no hopeful news.
And yet, of course, comes danger from the sea,
The stormy petrol cries in certain seasons that must be
Harbingers of hurricane and trial, what we choose
To call the birth pains in a loving mother: nature in herself brings waste.
Her ends must come before beginnings, her gifts but ballast tossed in haste.

“So Simple”

sliver moon

“So Simple”

So simple seen at dawn so long delayed, but a sliver of a moon! Brighter
Than I’ve ever seen it, veiled perhaps to purpose
through the willful blindness of my years,
What was it that I remembered to forget? Either eye—when both were clear
And unobstructed—saw visions in the nightly flight to lighter
Skies, at sunset drawn the more to intimate sensations in the rites or
Worshiping the more immediate, stated immaculately, requiring little fear,
An unobstructed view of objects seen as “closer than they appear
Within the mirror?”…or were they ever there at all? I know no delight now nor
Fascination in the company of others of the present stage―
The Illuminati of so many conversations in the next booth just the other day―
before the show and afterward, hushed and heavy harsh realities
Of lamps without their shades, a universal fade to cold formalities
Of “I don’t know, though!” or “Whatever…” from the blossoms’ buds whose age
belies so much gravitas and care.
And whose will does not beget transaction before they’re paid
and praised. Then again, does this ancient luminary care
so long as they’ve been there?

“Abiding Cycles”

Nobel1

“Abiding Cycles”

Abiding cycles, overriding climes in rhymes of violence and certain gain
With equal expectation of loss the dross of equal certainty in successive reigns
Of terror in the skies just beyond the puny girth of earth’s thin atmosphere;
How much it was the same when Cæsar’s designated revisions of the year
Bore both his names and title in the gilded monthly lists in vain
Presumption that the sun, itself, might be detained or entertained
When will and means conspire to light a fire in cold banality.
Idols worshipped through applause and semi-automatic Coliseum cheers;
Cause wolves to salivate in time. Reflect on just how long these weary fears
Have been the seat and capitol of colossal vain imaginings, the necromancy
Of the rich and bloated tales, tools of millennia of astrologies in the armoury.
How often have bucolic Virgils and Octavians stumbled onto history’s
Urban stage, the first to taste the fruits of history’s tired storylines, effacing
Iconoclasts by default and gluttony of hubris at last embraced
as fresh portfolios forged from fatigue and blatant moral bankruptcy?

“The Greatest Sanctuary”

“The Greatest Sanctuary”

The greatest sanctuary saves, preserves, and seals
The last and latest treasure; final fears are entertained
And in the end repeat themselves penultimate in any age
That’s spent with nothing left to say. The morass of months reveal
Themselves as names, the briefer moments cast in isinglass,
And hung above the door as witness to emotions borrowed to defend
The journey of both giver and what it is that’s given–split ends
That pass at times for purity of desire. Consternation, then, at last
Effaced, those few peas remaining within the pod will spend
Themselves while outward bound to what is after all a dream
Or merely someone’s lunch. They groom together–the sheen
Is frayed–delay is shame when every effort to confirm or to renew offends.
Reconnoitred, what were formerly evergreens
disclose themselves as deciduous devotions
That decry their former riverbeds as puddles, watersheds of desiccated oceans
And long dead seas. . 

“Silversmiths”

“Silversmiths”

Silversmiths retrace the fire; sweats
In rivulets down brawny arms, twin bushes
To the chin and through the valley of the pectorals; and he pushes
Gyres in the waters;
determination defeats defect, fatigue, frets

Along the instrument mould the

shining of a gentle mind’s design,
Undone, the fist and fingers as hammers in the process
Till the thing that was not is and what little rest
In thought becomes the thing, itself, the line,
A cut above a cusp between inspiration
And its final destruction. Destination, oh! the beauty of the thing
Will guide his hands securely and the synthesis, the ring
Of something new or newer makes its run from mental registration
To obsession in the finishing and glories to polish a wondrous sign,
A medallion of conception, some fine image formed of inner space and time.