Category Archives: Age

“A Single Digit’s Secret”

Energy

“A Single Digit’s Secret”

A single digit’s secret is the outward sign, then two; begin again
And all becomes nothing. Friction is the willing conversation of the elements,
Induction, intertwined interpolations; equity, evidence
Of heat expressed in growth and progress, in the main
A corner filigrée cut of crude credulity. Intelligence,
The Sculptor; magnificence, the Marble; both unknown
And evanescent. Potentials―crops and fruits―are honed
From ancient scans in sands and recipes, and what is sent
To press or put to bed eludes both novelty and ingenuity.
The poet knows what cycles reconnoitre in redux and La Ronde.
What will be has always been while what is seen
Is simple resurrection but with a difference, credulity
In the repeat, as when immortal rumours couched in histories set
Themselves as precedents while external forces hedge their bets.

“I Suppose I’m Moved”

Painting by Jim Daly

“I Suppose I’m Moved”

I suppose I’m moved, and while we’re on the subject
I’ve thought about what you said the other night
About the greater scheme of things, the flight
From genes to the collective, the singular, the object
Without form or substance—and guests. The two united for the trip
Till death, it seems, ignite some familiar spark and they must part. It’s true,
The children see nothing much, no objective clue,
No lighthouse to indicate where they’re going as they slip
From one rude awakening to another; the challenge
Of success or failure, nagging hunger or sudden release
Within the same recurring toss. We then sleep, the keys
To what comes next appear as just another darkest accident in a collage
Awash, so loosely thrown together that the world would probably call it art.
Still, we never cease to seek our truths, our lights, our candles in the dark.

“He Looks Away”

spitzweg-57

“He Looks Away”

He looks away from all his eyes allow
Because he has so much to leave obscure—
And don’t we all at times!— by habit inured,
He’ll reveal a spark to whom he vows
To walk a space, and possibly as with a pride
Of poets. Level phrases here and there arrive
To aid him as he rails against the tide
In early evening; his soft protesting tug, a brief aside
To all who indulge him; does he think to bid
Us well in all our journeys, slightly off and odd
Within our minds while he applauds
His audience daily?  To our faces thinly hid
Within his voice and avatar, he’s guessing as he tests
Available living icons, shibboleths,  and all we would address.

…Painting by Carl Spitzweg…

“I Found Someone”

headache-quinn.anya_

“I Found Someone”

I found someone breathing as if to pray.
No prayer, of course, no sign, no moon, no stars, but silence—
Calm to souls and solace in crisis
Of questions—so many hopes absurd and loosely bound.  What’s payed they say
Gives animas to eternity. shielding simple fear from terror’s
Bid to amaze. I would not ask outright, I had no right, then,
I take flight, taut in twilight when
From weedy wordless cancers’ branches—errors,
Really, to the whole–to innocence conjures lasting alibis,
Superfluous sentinels ever come to rest, fruits of thought-oppressed
Violence. enough that vine and wine is produced—inebriation of more from less,
A wrath, the test of what some old man surely spoke. Patient bluest sighs
Among sparrows egg him on while sitting on a porch swing, wisdoms all at once:
“Make peace with the Fathers,” says he, “prepare to flee the Sons.”

“Oh, I know”

“Oh, I know”

Oh, I know it”s been said before but bears repeating:
Unless a man embrace estates, his sense
Of eternity, his gifts of endless strife and goals of regret intense
Enough to merit periodic casual to shameless open weeping
In the corridors; unless the deadly abyss of every night’s sleeping’s
Prone to breach and rupture within his dreams or by the clock;
unless ‘neath the lens,
His page is thus combustible by the light focused upon a spot,
his joy depends
On something well beyond his own heart’s contumely,
his gates–his paradise, his weeping–
Fall well beyond the storehouse of his eyes and its catalogue of fears,
His light is changed to fire in tragedy and myths of talismans that guide his way.
Again, unless all this is welcomed well before the final hour, his pride will swell,
His vanity implode, and circumstance becomes
a euphemism for all he sees as hell.
Remember please that breath and breathing signify that death is ever near
And in these final years, satisfaction’s just another word for nothing left to pay.

“Two of Them”

“Two of Them”

Two of them apprised will rise while only one survives;
The first, a germ like any other, in the second,
Excellence as loving makes it so. She reckons
Life in paragraphs and chapters, derives
Pleasure in the phrase, itself–in leisure lies
The notion of posterity, the fecund
Last and lonely station of a book—the legend
More important than the fact, the spies
Than what is spied upon. Where there are three
The Chinese say, some one of them must be a teacher.
Let both in compromise find refuge in the third
That one may truly love, the other form the words
Recording signs and sighs of mystery
And ritual and yet another sermon for the preacher.

—Once

 

“He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.”

Gabriel José de la Concordia Garcia Márquez [1927 -- 2014 ]
Love in the Time of Cholera

“Patterns”

Patterns(10)

“Patterns”

Patterns, tedious to the casual connoisseur in callow love of circuses,
Whose aunts and uncles–convalescent cynosures–apply the ligatures
That best the daily bread but adds nothing to the liquor but signatures
The appliqué, the seams and borders of mere circumstance,
And pomp of simple disingenuous serendipity; floral blooms of in between,
And on the other side; propinquities of wider yielding needs
In creeping things, rewards of sweat well past the age of puberty. Hollow reeds
Of adolescence are careless where they land ever corresponding with obscene
Displays of natural righteous rage to opportunities of eternity and propagation.
It is just so with common events as well those in military congregation:
Universal laws claim exclusive rights to the infinitive in  any conjugation
Of principles set down by God knows what subjunctive subjugation.
Witness, then, in every accident the circumlocution of the spheres
With what flowers, tadpoles, insects, and homilies revere.

“Lest We Despair”

midnight1

“Lest We Despair”

Lest we despair, there are always wondrous souls
Who do not merely feed the ether, drain abundance,
Neuter actions, waste the oneness,
The common bounty with dalliance in quotidian goals.
So where lies the dignity of thin air, the drift, the all,
The strength, the constancy, the very point
Of light save in special souls adroit
In what it takes to make the least at nightfall?
Benchmarks will mark a life of thought and inspiration.
Luminaries allowing shelter in shades of night are not at all
Deterred or long delayed by the earth’s rotation nor do they stall
As prey to some glorious thrall but follow through to consummation.
The globe abounds in cycles, seasons and the daylight vulgar hours,
Kenotic moons to drown the noise of madness as the midnight flowers.

“That Yearning’s Passed”

Yearning

“That Yearning’s Passed”

That yearning’s passed, I know
A peace of simplicity, relief;
A promise fulfilled, the passing of grief;
An outrageous gift of understanding’s flow
From grace to bounty; platitudes, slow
To middling in mine own eyes but quickened as when the wreath
Of outward stars surmounts the inward scars, the chief
Priests’ glower glowing darkly through an ancient glass. In escrow,
Then, to points of no demand and nothing left to chance.
Remember!! greatest secrets born within are less than burdens
In the light and more than shelter can bestow;
Turn the blindest eye to life’s sweet afterglow
And take another look.  Let the foot another step and advance
Beyond the point of scripts for life’s inevitable diminishing returns.

 

“Briefer Images”

“Briefer Images”

Briefer images at dusk along the street and wonders
In me--who is that woman? Street lamps, yes! the moon
Or worse that slaps us both; tarnished, and in a tangent off some June
From long ago, memories in a travel log of time when I still blundered
Through the odyssey of all my fears and slumber seemed forever light,
The blush and dimming of the spots somehow pleasing to so many peoples,
Then, and still I stood to hit the queue  to see her eyes.
Distilled prayer beneath the steeples,
Midnight trains and feeble seats in Greyhounds,
uses of the every highway dedicated to gemutlichkeit
And the momentary! More, a never-ending wanderlust and steam
To drain the festering boils of youth in rhymes of two dimensions:
Points from “A” to “B” to “C”, perhaps to “D”, and mention  The here and there of this I saw or that within what dreams
Concealed in endless intercourse in the night and I so moth- like in the rites
Of great mahatmas in repose amid the golden spinning wheels and kites.