“Abiding Cycles”

Nobel1

“Abiding Cycles”

Abiding cycles, overriding climes in rhymes of violence and certain gain
With equal expectation of loss the dross of equal certainty in successive reigns
Of terror in the skies just beyond the puny girth of earth’s thin atmosphere;
How much it was the same when Cæsar’s designated revisions of the year
Bore both his names and title in the gilded monthly lists in vain
Presumption that the sun, itself, might be detained or entertained
When will and means conspire to light a fire in cold banality.
Idols worshipped through applause and semi-automatic Coliseum cheers;
Cause wolves to salivate in time. Reflect on just how long these weary fears
Have been the seat and capitol of colossal vain imaginings, the necromancy
Of the rich and bloated tales, tools of millennia of astrologies in the armoury.
How often have bucolic Virgils and Octavians stumbled onto history’s
Urban stage, the first to taste the fruits of history’s tired storylines, effacing
Iconoclasts by default and gluttony of hubris at last embraced
as fresh portfolios forged from fatigue and blatant moral bankruptcy?

“The Greatest Sanctuary”

“The Greatest Sanctuary”

The greatest sanctuary saves, preserves, and seals
The last and latest treasure; final fears are entertained
And in the end repeat themselves penultimate in any age
That’s spent with nothing left to say. The morass of months reveal
Themselves as names, the briefer moments cast in isinglass,
And hung above the door as witness to emotions borrowed to defend
The journey of both giver and what it is that’s given–split ends
That pass at times for purity of desire. Consternation, then, at last
Effaced, those few peas remaining within the pod will spend
Themselves while outward bound to what is after all a dream
Or merely someone’s lunch. They groom together–the sheen
Is frayed–delay is shame when every effort to confirm or to renew offends.
Reconnoitred, what were formerly evergreens
disclose themselves as deciduous devotions
That decry their former riverbeds as puddles, watersheds of desiccated oceans
And long dead seas. . 

“Silversmiths”

“Silversmiths”

Silversmiths retrace the fire; sweats
In rivulets down brawny arms, twin bushes
To the chin and through the valley of the pectorals; and he pushes
Gyres in the waters;
determination defeats defect, fatigue, frets

Along the instrument mould the

shining of a gentle mind’s design,
Undone, the fist and fingers as hammers in the process
Till the thing that was not is and what little rest
In thought becomes the thing, itself, the line,
A cut above a cusp between inspiration
And its final destruction. Destination, oh! the beauty of the thing
Will guide his hands securely and the synthesis, the ring
Of something new or newer makes its run from mental registration
To obsession in the finishing and glories to polish a wondrous sign,
A medallion of conception, some fine image formed of inner space and time.

“Sonnet in Honour of the Feast of Mashíyyat” or “Will”

Bahá’ís throughout the world gathered yesterday evening after sunset or today before sunset to celebrate the First Day of the Month of Mashíyyat [Will]

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“Sonnet in Honour of the Feast of Mashíyyat” or “Will”

We bear witness to it in the station of a still
And changeless vision, cosine as it is to truth.
Volition reigns with all, and rules
To govern its existence will
Continue till the thing no longer bears its seal,
Its sign, its talisman nor sacred stamp
Of manifest yet hidden Lamps
By Whose Light truth’s revealed or is repealed.
There is no greater will than this. We are
Witnesses, the signatories of deeds
Of lingering motives, contracts, seeds
Of instituted factors in the sole
And universal changeless Will and Goal
Whose pages neither bend nor fold.

“Accolades”

immunity

“Accolades”

There are no lasting accolades for what occurs
Before discovery, precedents to concepts, antecedents to the rank of names.
Armies of delusions gather at dusk or dawn—semi-colons it seems—but the aim
Of all is change and nothing seems more real nor more absurd
Than that the sun simply is and continues to be. Perceptions, artefacts,
A vast compendia of condescending clues confound perfections
housed in all the usual places.
Conceptions rear palatial visions, rise and all but disappear where fear displaces
Inner sight and gainsays personal sovereignty. Look again and act
Upon a limpid canvas, more, a pristine marble so easily cut and again defaced
By innuendo or what pacifies the common view
of every art and all science in the debris of afterglow; if judged immortal,
What, then, of the beauty of a single rose reborn through centuries, millennia, yet reduced, detritus as investment in a single angry fist? The bridge and portal
Through which both eyes view and progress signs can never be erased.
Creation’s grace is testimony to the morning of eternity; oneness firmly grasped
Ensures velocity, immunity, and detachment from all that’s passed.

“Within”

Pieper_Invite

“Within”

Within proximity of the cavern sits the hortatory proclivity of the moment,
Illusory porch mouthed in rock―remedial tomb
Of things―both here within and there without this inner, upper womb
To manifest what it is to be fashioned with the weight of sentiment,
Centre, concentric circle, ever flowing water, external wave
Of casual and monumental passion. To the outward, toiling; inward, bound
Beyond addiction and the need of source, resource, sound,
Deceiver of the whole. So, too, are we the humoured and pleased
Along the way. So it is and continues to be the breath of reckless, ceaseless ease
Within a tethered bulk, discomfort in a sometime suit, garment
Knit within itself in gravity to objects in a firmament
Of space of yesterdays skies and spaces signed today; resigned, a race
And fulcrum, grace of instinct bound within Plato’s Cave imagines virtues
lit with but a glance within the Upper Room of Christ
Provide a circumstance of perpetuity no matter what the price.

…art at top by Joshua Pieper…

“Disconnect the Vowels”

antistrophe

“Disconnect the Vowels”

Disconnect the vowels, then.  Glory in what’s left.
Within a simple strophe leave
Judgment by the door. Wear no sleeve
No packaged thing to sign a sentiment or star the shibboleth bereft
Of common sense, urgent cause
For precious ointments long ago
Nonplussed and unfit for use. Justly, as it should, in isolated slow
Progress through generations, the hoary stories’ pause
As literary cusps on scrolls between cycles’ broader strokes
To stoke what it is we think we know, or what all know as lies.
The verdicts will, of course, disguise themselves as scripture in the eyes.
And do you think so handsome gilded spokes
Of wheels as cycles’ pillars, circumferences to cover centuries of tears
So fragile that words ascribed to Lear can touch the hearts and quell all fears?

“Just What You Meant”

“Just What You Meant”

Just what you meant is not too clear today
While all the world feels indisposed but then, aside
From that, it seems the effort to decide
To see must equal if not dwarf the weight
Of longing to be done with this and out
The door and down the street, and gone.
You might well ask what siren draws me out along
A path to worlds away from you, when the route,
The melody we felt, inevitable as the juggernaut of dawn
And all we pledged through pale eternities in this
Fresh day still shone. Together, a certainty that ruled those early mists
Throughout the early morning’s night, what had drawn
Us so close with lightning’s grease to both our spirits’ light?
Instincts lost left walls of thought, but in the end,
all actions dulled as the sun rose and both of us took flight.

“Make No Mistake”

choices1

“Make No Mistake”

Make no mistake, choices present
Themselves in simple lives’ pursuit of complex
Revelations to ignite a present circumstance; one reflects
On powers of the tongue, the joys of pleasant
Intercourse and periodic forays into conflict,
And again, the peace of simply being here or better, no more
Here than there and having no idea what for.
Knowing begs remission to be a common asterisk
On someone else’s ledger, or possibly a footnote
To the reason why it all came out this way.
But one decides not so very much on what
Must come to be as whether to acknowledge or withhold the vote
On what in fact is and settle on what of course exacts
A fee but is at best an accidental abstract or but a figment of a fact.

“Weep”

Abu Bakr al-Baghdadi

“Weep”

Weep for they whose righteousness consists of lawlessness and celluloid.
A sardonic moon signs mayhem and havoc to the eyes
At rising, a potent rift between what is and what only seems
To be and we its tools allow for fancy as it deems
Fit to be within a mystical early pattern of the evening skies.
How meet and seemly must it be for the dedicated blind
To allow such flights of visual savagery to arrest
All logic, moving as it does to attest
What truly isn’t there at all. How like denial, refined
Anticipation in the night of our modernity
To grant such majesty, so great an urgency
As a behemoth moon as raw imagination cedes
Nothing to the truth but flaunts its strange lucidity
In increments that must eventually crown itself the liar.
Fully risen, there it is: what’s begun must in turn expire
shedding neither light nor fire.