cain1

“Suppose Evolution”

Suppose evolution the ablution of time as revelation, but gather why
We migrate. All know, of course, or should, what land
We live in, what the borders to the dream, the strand,
The stream of all acts, axioms, atolls of sanity sealed in wax. Try
Reason cupped in raw emotion in the Courts of History, ours
To bend and cherish in or out of season in the time
It takes to be or not to be the first and possibly the line
Drawn in haste in quicksand in the briefest span in feeble hours
Of loss and victory. L’Chaim! A toast to fine
Distnctions drawn between the posse and the Law!
Repeat the gaze, Govinda, and if you see the flaw
In personal salvation, seek penetration through strength of heart and mind,
Hubris in negation and his sibling’s futile crops–annihilation in rage and greed―
While Abel lies silent in the eye of Cain’s infernal whining in the weeds.

“A Single Digit’s Secret”

Energy

“A Single Digit’s Secret”

A single digit’s secret is the outward sign, then two; begin again
And all becomes nothing. Friction is the willing conversation of the elements,
Induction, intertwined interpolations; equity, evidence
Of heat expressed in growth and progress, in the main
A corner filigrée cut of crude credulity. Intelligence,
The Sculptor; magnificence, the Marble; both unknown
And evanescent. Potentials―crops and fruits―are honed
From ancient scans in sands and recipes, and what is sent
To press or put to bed eludes both novelty and ingenuity.
The poet knows what cycles reconnoitre in redux and La Ronde.
What will be has always been while what is seen
Is simple resurrection but with a difference, credulity
In the repeat, as when immortal rumours couched in histories set
Themselves as precedents while external forces hedge their bets.

“To the Gods They Were Just Apples”

“To the Gods
They Were Just Apples”

To the gods they were just apples, not at all
  The toy of choice and destiny for mortals, unrighteous manna for the fool.
Three golden globes wondrous formed from pools
Above—Asperges me, Domine—no, hardly, and, still it was that one such ball
Made purity of lust for he who blindly chose both certain menace and war.
And as effects of it–to altar boys absurd–embroidred that sad tale,
Strange to say the queue contains the other two; but truth cannot grow stale.
All seekers know that in addition to nonesuch beauty were two gilded orbs
As potent as the first, but put away, sequestered, perhaps installed
But never used or loosed as lean domestics in the fall
Of men and simian alike throughout all ancient mortal halls.
And to this day the two remain en extra, secure, moot within the walls
And great receiving rooms of one remote clandestine tower;
The first, unbridled Wisdom, saddled proudly on the second, naked Power.

“I Suppose I’m Moved”

Painting by Jim Daly

“I Suppose I’m Moved”

I suppose I’m moved, and while we’re on the subject
I’ve thought about what you said the other night
About the greater scheme of things, the flight
From genes to the collective, the singular, the object
Without form or substance—and guests. The two united for the trip
Till death, it seems, ignite some familiar spark and they must part. It’s true,
The children see nothing much, no objective clue,
No lighthouse to indicate where they’re going as they slip
From one rude awakening to another; the challenge
Of success or failure, nagging hunger or sudden release
Within the same recurring toss. We then sleep, the keys
To what comes next appear as just another darkest accident in a collage
Awash, so loosely thrown together that the world would probably call it art.
Still, we never cease to seek our truths, our lights, our candles in the dark.

“The Audience”

“The Audience”

 The audience of epiphanies in green
Crowns the brow and eyes as a single emerald.
So great a bending of the intersections, captured, held
Between the fingers or applied to the temple, harbinger of what may seem
To be a truth with absolutely nothing unnatural in the stream,
A common siren in calling to the seed of things to come, an eloquence
In concrete countenance what is today and future joy, the consequence
Of action filigreed with no attachment beyond the need of skill to redeem
A certain benefit; perfection’s  living glance. Perhaps a useless ornament,
A thing revered, brought out to greet the light
And catch a glimpse of seconds in the hour, bright
And subtle richness conjured, a manifest adornment
Of my soul’s ocean against the scrim that is my naked palm:

A silent sentiment and evidence of more than

static lightning in an ancient psalm.
What was hidden for millenia is all right there on the table where you left it.

—Odd, but somehow sans the reading
I am aware that in the seedling’s
Notes are dangers; the ruby there beside it advises, “Keep it
Where it lies. Who prizes opaque lustre knows not every oyster carries gems
And while it might behoove me to investigate
This latest uninviting hostess tight within her shells, still what’s the going rate

For priceless pearls and an eternity

of fresh desire and its  newly polished dividend?…

I cede the need to overcome the last and greatest disappointment;
Addressed in forced and anguished expectations on the spot
Of least resistance placing protocol and proper sequence bought
Above and well below the natural value.

I will not seize the gem whose predicament
Will always win. While yet here, the stone has greater value than what I take
To be mine own, but death devalues all currencies in the natural  estate.

“Joy”

“Joy!”

Joy! Is there an in between the rooms, the space,
Interpolated moments of what had always been attraction, snags
That could not be ignored? Bruises in subjunctive rags,
The memes of “just beyond” but well before the second race
That sat in apposition that as of yet
  And probably never was apprised. Still well astride  returns
For what was, in fact, a blister-burn
A meal gone bad despite precious preparation, set
Aside because she stayed too long that night.
And while she stalled the supper went too far
Beyond the call to matter for what was about to happen: purposes marred,
The banquet withered on the table, fallacies in candlelight
—Removed—to favour what rays in tandem breach in 
Of sun and moon that frame the shadows of a single word.

“Sonnet in Honour of the Feast of Kalimát or “Words”

diamondBahá’ís throughout the world gather today within the First Day of the Month of Kalimát [Words] before sunset to celebrate the first day of the Bahá’í Month of Kalimàt.

“Sonnet in Honour of the Feast of Kalimát or “Words”

The Word illumines surfaces in the soul;
Not so the mortal eye, my friend–they who dilate
Earthly limitations know the truth–they violate
The borders of the pupil to occlude accents from a dream. The flow
Of images beneath the lids so often bound, so ever-weathered,
Couples with the muse, crown a cosmic wind of aromatic lustre in the ether,
A cloud—a simple afterthought of action forged in fires of hubris–either,
Lust or fear, pilots in the path of all dust: both are witnesses. Tethered
Wonders, perceptions of the lens, veined, suited in appearance; perceptions
Of an ancient mountain’s bile or gleaned from its seed, diamonds from the sun
Are death to those who negate. Just so, say Prophets in the Sealed Writ or sung
Beyond capacities of the ear heard when spoke, pronounced and uttered
Only once in pre-existent natural form. Seized,
the Word is cut and polished in the tailings of the present.
The Holy Word defines the substance of the raw material of divine parsimony
cut and spliced in sacrifice, rendered gems from ores of human ignominy.

“So Tired Tonight”

“So Tired Tonight”

So tired tonight; the late nights rarely float;
I am here as much as there and wondering in myself when
If ever I will see the stars as well I once knew them. Then again,
The myriad monumentals, the smokey smell of creosote
From aging wharfs, the former headiness of worry,
The urgencies of thoughtlessness and giddy
Private joys of knowing no one knows the silly
Things I want to do. Night birds and a flurry
Of noted messages here, and over there, again the sun
That must soon rise high I see with it all
The weight of clear desire to rearrange what’s left of my small
World; and as for that lost ambitious excited little crab who cannot run
But sideways in what he takes as his private room, he’ll never make it back,
You know, to where he started as so easily the tides will smother both our tracks.

“He Looks Away”

spitzweg-57

“He Looks Away”

He looks away from all his eyes allow
Because he has so much to leave obscure—
And don’t we all at times!— by habit inured,
He’ll reveal a spark to whom he vows
To walk a space, and possibly as with a pride
Of poets. Level phrases here and there arrive
To aid him as he rails against the tide
In early evening; his soft protesting tug, a brief aside
To all who indulge him; does he think to bid
Us well in all our journeys, slightly off and odd
Within our minds while he applauds
His audience daily?  To our faces thinly hid
Within his voice and avatar, he’s guessing as he tests
Available living icons, shibboleths,  and all we would address.

…Painting by Carl Spitzweg…

“They Make Such Declarations”

brazil1

“They Make Such Declarations”

They make such declarations, don’t they? They bet their lives
On all that seems and we’re inclined to give
Them credit for’t, and…perhaps they’re right, but then of course we live
As they do, fully eased, appeased, pleased to put on and off expressions
as if they were utensils, knives, or possibly wives.
Production far exceeds demand as the sanctified continue to enjoy eternal noons
In the world’s latest game. Do the math, then, friends; numbers, bounties burn by definition into wastes along warm Brazilian shores
Invoking freedoms—as we who have are wont to do—
Through eternally bloated days. With upraised palms,

the intensity of incense fails to mask telltale odours.
Miles beneath, the ooze’s upward bound, vapours restive here and there,
And as the Titans yawn, Rio bellows, shaking gown and hair
In all directions, scattering the saints of more than latter days, who dared
Her only yesterday to state her case, and lay her precious assets bare.
Migrants in the fault-lines smile, regarding who must rise and fall,
but when the prayers have ceased and denizens of Baghdad weep
Surely, even Isis bleeds. Her boils drained, her coffers fleeced,
She voids another thousand suns before she sleeps.

Brazil v Germany: Semi Final - 2014 FIFA World Cup Brazil